Notes

Notes

 

Chapters

Chapters

141 1. O Jerusalem, O ZundertJLB 102, 2/7/1877-2/8/1877: In a swoon of nostalgia, Vincent wrote from Dordrecht in February 1877: "Memories of times past came back to me, including how often we walked with Pa ... and heard the lark above the black fields with young green wheat, the shimmering blue sky with white clouds above -- and then the paved road with the beech trees -- O Jerusalem Jerusalem! or rather O Zundert O Zundert!" 2. "futureless" b2758 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 7/6/1876: Anna wrote bitterly that Vincent’s: "futureless wanderings made us so melancholic." 3. "We are more" b2770 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 9/8/1876: Dorus reported receiving a letter from Vincent but complained: It is not a letter that gives a lot of satisfaction! It makes us more and more worried with time, and we fear that he will become dysfunctional for practical life. It is bitterly sad.” 4. talk sense to him b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Dorus shared his exasperation with Theo: “[Vincent’s] letters don't offer a clear answer to what I proposed to him; they're woolly, rather. I can't begin to tell you how much we suffer because of this, also for his sake. We try to put heart into him and write him in a friendly tone, but still.” 5. he should study for it b2803 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 12/18/1876: Anna saw no hope for Vincent except more schooling: "[Vincent] doesn’t see a bright future ahead of him, but makes himself carry on because he thinks he needs to -- but I think that there is no need to without having studied." 6. a paying job b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Dorus suggested practical solutions, such as schooling or other employment, but continued to identify Vincent’s resolve as the ultimate problem: "Should his interest in the church or evangelization be genuine and should he be really serious about it, then I would think that he could start his studies here in Holland, and we could try and see if we could maybe get him a scholarship of some sort, but that takes at least 8 years. Apart from that, it might be best if he started looking, either over there or here, but preferably in this country, for a position as an accountant, or as an office or sales clerk." 7. "woolly" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876. (See Ch. 9, n. 4.) 8. ignored altogether b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876. (See Ch. 9, n. 4 and n. 9.) 9. "He doesn't seem" b2755 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 7/1/1876: Anna wrote: “[Vincent] doesn't seem to have the courage to take up a course of study, because he doesn't answer our questions about that subject because he doesn't answer our questions about that subject.” Anna, who still held out hopes Vincent might return to the family’s signature art trade, delicately inquired of Theo: “Do you think he loathes all types of trade or just the art trade?” 10. "I cannot imagine" b2770 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 9/8/1876. 11. failure to socialize b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877: Anna wrote Theo, again lamenting that her eldest son lacked the virtues of his younger brother: "You are so fortunate, enjoying so many friendships … I do hope Vincent will find himself in similar circumstances in the future." 12. neglect of appearances b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Dorus, the dapper parson, wrote: "[Vincent] keeps making hours-long treks which I fear will affect his appearance, so that he will become even less presentable." 13. "morbid nature" b2761 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 7/24/1876: Dorus bleakly reported the latest news: “Just last evening another letter arrived [from Vincent]. We would certainly be wise not to anticipate the future but rather wait and see how he will fare, but it always seems to us that his frame of mind is of a morbid nature -- and this I fear will be a big stumbling block to him. We do our best to advise him; it's all we can do.” 14. "inclination to melancholy" b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877: Dorus reported on another depressing letter from Vincent: “This morning another letter from Vincent [came]: he is very busy and will write you too. I do think that he is too inclined towards melancholy.” 15. "Seriousness is all right" b2761 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 7/24/1876: Another of Dorus’s criticisms of his cheerless son: “Seriousness is good, is necessary, is a prerequisite; but seriousness must ever be linked with freshness and strength.” 16. "a jolly heart" b2222 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/18/1876. 17. "excesses" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Complaining of Vincent's long walks, Dorus wrote, "those are excesses that aren't right." 18. "become a more" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Anna could summon only this vague, half-hearted wish for Vincent’s future: “I hope things will take a turn for the better and he will become a more normal and practical person.” 19. "foolhardy"Hulsker, "The Elusive Van Gogh, and What His Parents Really Thought of Him," p. 250: This is Hulsker’s translation of Dorus’s reaction to Vincent’s plan to join a mission to South America (see Ch. 9, n. 20): “I would consider it extremely foolhardy, and ultimately a very costly affair.” 20. "sheer folly" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Dorus reacted with a combination of horror and skepticism to Vincent’s idea of joining a mission to South America: “There was also some talk of him becoming a missionary to South America -- I can't say his letters show a real desire to do that. I would call it sheer folly, and ultimately a very costly undertaking which would certainly come to nothing,” 21. "a very costly" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876. (See Ch. 9, n. 20.) 22. "One must first" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876. 142 23. "I cannot begin"b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876; emphasis added. Indeed, the months of worry had taken a severe toll on Vincent's parents and their confidence in him. At one point, they may have questioned whether Vincent really "deserved" the honor of being their eldest son. A notion that the status of an eldest child was something to be earned (or, in Vincent's case, forfeited) seems to underlie the following passage from a letter Vincent's mother wrote about her eldest daughter, Anna, who, unlike her brother, deserved her status: "She was this winter an enormous help to us and she is, rightly so, an eldest daughter" (b2519 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/6/1877). 24. 21-Decb2802 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/18/1876. Vincent originally intended to arrive home, with Anna, on December 20. However, the plans changed at the last minute when, for unknown reasons, "Mr. [Slade-]Jones asked if Anna would come spend the night [in Isleworth?] on Tuesday [December 19] so they could leave together Wednesday morning at 11:00." This is according to Dorus’s retelling to Theo of Vincent’s report. (ibid.) Perhaps Reverend Slade-Jones thought it was improper or inadvisable for Anna and Vincent to travel alone to London and he wanted to accompany them; or perhaps Vincent’s original plan called for them to travel too late on the evening of the 19th.) Unless the plans changed again after Vincent’s letter to Dorus was written, Anna and Vincent arrived in Etten "on Thursday" (December 21). However, Bailey identifies December 20 as the date of Vincent’s and Anna’s arrival in Etten (Bailey, p. 104). JLB say that Vincent and Anna “traveled back to Etten together from England” on December 20 (see JLB Chronology, 1876). 25. "torrent of reproaches" BVG 92, 3/7/1877: Apparently, some of these reproaches were expressed explicitly, some implicitly.

Context:
BVG 92, 3/7/1877: "Oh! Theo, Theo boy, if I might only succeed in this, if that heavy depression because everything I undertook failed, that torrent of reproaches which I have heard and felt ..."
JLB 106, 3/8/1877: "O Theo, Theo, old boy, if only it might happen to me and that deluge of downcastness about everything which I undertook and failed at, that torrent of reproaches I've heard and felt ..."

26. red tableclothb2751 V/1982, ''Gogh-Carbentus, Anna C. van'' to ''Gogh, Theo van'', 5/26/1876. Anna's cousin, Jet, and her husband, the painter Anton Mauve, had given Anna and Dorus a green tablecloth for their twenty-fifth wedding anniversary in May, but they asked Theo to exchange it for a red one "to go with our red carpet in the big living room." A letter that Anna wrote to her son on the day after St. Nicholas Day in 1876 reveals some of the other details of the Van Gogh family Christmas that year: "Dad immediately lit up his perfect, beautiful little pipe. I tried on the neat gloves and they look fine ... Wil was very happy with the adorable little basket and with the glycerin soap to avoid chapped hands when it is cold (good idea), and it was great seeing how happy Cor was with everything you gave him, the shells, the stamps especially, and he has been playing with the top all evening. He took it upstairs at night and it was the first thing he reached for when he woke up ... [We] received 2 bottles of wine from Prinsenhagen [i.e., Uncle Cent] Dad got some cigars and tobacco; I got a really lovely sconce to hang next to the little organ. ... Aunt Cornelie brought us a little black kitty with a little red collar and it already feels quite at home; we were all sad about the loss of the other one." (b2798 V/1982, ''Gogh-Carbentus, Anna C. van'' to ''Gogh, Theo van'', 12/6/1876).

Regarding the family cat, the official story was that the cat, Miet, had run away, but Anna suspected foul play. "[S]omeone might have taken it for its lovely fur," she wrote, adding, "This one looks like the one in Zundert" (ibid.). Dorus had an equally dire view of the cat's fate: "People will have greedy eyes when they see her beautiful coat," he wrote. (b2797 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 11/24/1876.)
27. played the organ b2752 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 6/2/1876: Anna reported to Theo: "The organ is very nice. On Sundays I give it a good workout ... I'm slowly getting used to it, but lack of time and lack of talent make for little hope. We will be satisfied if it gives us what the piano gave us." 28. visited the sick b2802 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/18/1876: Dorus spent most of the holidays, as he always did, on the road visiting the sick and homebound in outlying communities: "Monday, First Christmas Day [December 25], I will be in Chaam in the early afternoon, so I cannot be in Etten. ... Second Christmas Day I have to preach in the early afternoon, but the rest of the day I'll be free." Dorus maintained this grueling schedule despite having a debilitating cold (ibid.). The illness, as reported, started with coughing in mid-December, and continued through the holiday season. After returning to school in January, Lies wrote, "Pa was looking so bad when I left" (b2501 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 1/7/1877). Less than two weeks later, Dorus reported, "I am now in good health again" (b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877). 29. "How much worry" b2766 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 8/18/1876. 30. fecklessness b2766 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 8/18/1876: "What a pity that he does not have a little more energy. ... I just don't understand why he is not doing a little more." 31. failure to findb2503 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 2/4/1877. Lies shared her parents view on working: "I believe it will be a satisfying solution for [Vincent], being able to earn his own living now." 32. "I believe his piety"Quoted in Hulsker, "The Elusive Van Gogh, and What His Parents Really Thought of Him," p. 251. Our translator renders the same passage: "I think [Vincent is becoming apathetic because of all this piety." Clearly, Lies did not like Vincent's sanctimony. She said she favored Dickens's books because "his writing has so little of a preaching tone. I don't like these books too much which are full of philosophical contemplations. They are boring for me." (b2790 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 11/5/1876.) 33. "normal man" b2503 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 2/4/1877: We know Theo's argument on Vincent's behalf from Lies's resistant response to it. "You [Theo] thought that he [Vincent] was more than just a normal man, but I think that he would be very different if he thought of himself as a normal man and thus had to act [no] differently than others." 34. would be better offb2503 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 2/4/1877. (See Ch. 9, n. 31.) 35. late arrival b2802 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/18/1876: On December 18, Dorus gave Theo information about his holiday schedule, obviously intended to allow him to plan his leave from work. "Second Christmas Day [Tuesday, December 26] I have to preach in the early afternoon, but the rest of the day I'll be free. So it would be nice if we could all be together on Tuesday night." This suggests that Theo may not have come home until December 26. 36. early return BVG 83, 12/31/1876: By December 31, Theo had returned to The Hague. He stayed in Etten long enough to take a walk to (or in) Chaam with Vincent. "[H]ow often we'll think back on that trip to Chaam" (JLB 100, 12/31/1876).

Context:
JLB 100, 12/31/1876: "Now, old boy, dear brother, what good days those were when we were all together …"

37. spent Christmas Day b2796 V/1982, "Gogh, Willemina van" to "Gogh, Theo van", 11/23/1876. 38. only reproaches b2501 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 1/7/1877: Lies complained that Vincent needed to be "more happy and bright." 39. "All one does" BVG 85, 2/7/1877-2/8/1877: Vincent used the impersonal "one" construction, as he often did for these pained and painful outbursts.

Context:
BVG 85, 2/7/1877-2/8/1877: "It may be that there is a time in life when one is tired of everything and feels, perhaps correctly, as if all one does is wrong ..."
JLB 102, 2/7/1877-2/8/1877: "There can come a time in life when one is tired of everything, as it were, and has the feeling as if everything that one does is wrong ..."

40. "he looked as if"Quoted in Erpel, pp. 41-42: This recollection belongs to Dirk Braat, who worked with Vincent at a bookstore in Dordrecht starting in January 1877. 41. "weary" BVG 85, 2/7/1877-2/8/1877: Again, Vincent used the evasive "one" construction.

Context:
BVG 85, 2/7/1877-2/8/1877: "And at such a time, when one is weary of oneself, one should think with devotion, hope and love of the words: "Come unto me, all ye that labour and are heavy laden, and I will give you rest' [Matthew 11:28]."
JLB 102, 2/7/1877-2/8/1877: "And at such times, in which one feels tired of oneself, one may think with heedfulness, hope and love of the words 'Come unto Me, all ye that labour and are heavy laden, and I will give you rest' [Matthew 11:28]."

42. "tired of everything" BVG 85, 2/7/1877-2/8/1877. 

Context:
BVG 85, 2/7/1877-2/8/1877: "It may be that there is a time in life when one is tired of everything and feels, perhaps correctly, as if all one does is wrong ..."
JLB 102, 2/7/1877-2/8/1877: "There can come a time in life when one is tired of everything, as it were, and has the feeling as if everything that one does is wrong ..."

43. "weeping"BVG 85, 2/7/1877-2/8/1877: Vincent did not confess shedding tears to Theo, but he strung together otherwise unrelated Biblical passages with a common theme that seems distinctly autobiographical: "Abide with us: for it is toward evening, and the day is far spent” (Luke 24:29); “They that sat in darkness and the shadow of death have seen a great light” (Isaiah 9:2); and “Weeping may endure for a night, but joy cometh in the morning" (Psalms 30:5). (See Ch. 8, n. 299). In a marginal notation, he added "Rejoice on earth, praise God on high, Let thankful tears stream from your eye." (JLB identify this as a line from a hymn [see JLB 102, 2/7/1877-2/8/1877; n. 27].) 44. long walk BVG 83, 12/31/1876: Vincent and Theo went to Chaam, a beautiful area of forests and farms southeast of Etten. (This trip may have been a substitute for the walk to Zundert that Vincent had planned for the holiday.) The brothers may have accompanied their father, who preached in Chaam on Christmas Day (b2802 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/18/1876). Given the distance to Chaam from Etten (about twelve miles), it is possible that they made some or all of the journey in a carriage with their father or, perhaps, that they walked from their uncle Cent's in Prinsenhage which would have cut the distance roughly in half.

Context:
JLB 100, 12/31/1876: "I sincerely wish you the best in the new year, I wish you well and may you be blessed in all things. Wonderful to have seen each other again, how beautiful it was that morning you left, and how often we'll think back on that trip to Chaam."

45. "heavy depression" BVG 92, 3/7/1877.

Context:
BVG 92, 3/7/1877: "Oh! Theo, Theo boy, if I might only succeed in this, if that heavy depression because everything I undertook failed ..."
JLB 106, 3/8/1877: "O Theo, Theo, old boy, if only it might happen to me and that deluge of downcastness about everything which I undertook and failed at ..."

46. uncharacteristic meeknessb2804 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 12/31/1876. There is some indication that Vincent resisted, at least somewhat, his father's plan for him, at least initially. Dorus wrote Theo: "[Vincent] does not see the light in this [plan]. Why is he still looking for something else and not seizing this close-by opportunity [that seems so obvious to us and to you]” (ibid.). Vincent’s hesitation (and Dorus’s exasperation) appear to relate only to the specific job in Dordrecht, not to the overall change of direction that Dorus was encouraging. A passage in a letter from Lies suggests that this was not part of a broader resistance: "I suppose that [Vincent] was not overly excited [about his father's plan], but he will eventually come around. I believe it will be a satisfying idea for him, being able to earn his own living now." (b2503 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 2/4/1877.) 47. had been makingb2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Basically, the scenario that Dorus presented to Vincent in late December was exactly the scenario that he had envisioned in a letter six months earlier: "Should [Vincent's] interest in the church or evangelization be genuine and should he be really serious about it, then I would think that he could start his studies here in Holland, and we could try and see if we could maybe get him a scholarship of some sort. But that will take at least 8 years. Until then, it might be best if he started looking, either over there [England?] or here, but preferably in this country, for a position as an accountant, or as an office or sales clerk." Only one thing had changed in the intervening months: Dorus had hardened against the possibility of Vincent taking a position away from home again: i.e., beyond the reach of family supervision. 48. "stop following"b2804 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 12/31/1876: Anna put this advice in a letter to Theo, and undoubtedly in person to Vincent: "Whoever starts early by living a life and not just following his own desires, who does what God asks, [that person] does not have to be afraid of a useless life [but will have] a happy life." Anna says this as a compliment and encouragement to Theo, but the contrasting comparison to Vincent is unmistakable. 49. "back on the road" b2800 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/6/1876: While Vincent was still in England, Dorus had written Theo concerned about his brother’s endless walking tours in England: “I long to be able to talk to Vincent when he comes for Christmas to see what has become of him. Sometimes I fear that Reverend Jones uses Vincent as a walking boy, and I cannot believe that the road he is on now will actually lead him to a normal existence.” 50. find it nearbyb2804 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 12/31/1876. "I will love so much to have him closer to me." This was not the first time Vincent’s parents had expressed a strong preference for Vincent to be closer to home. Six months previously, Anna they had written to Theo: "[I]t might be best if he started looking for a position … preferably in this country” (b2755 V/1982, ''Gogh-Carbentus, Anna C. van'' to ''Gogh, Theo van'', 7/1/1876). In January, they emphasized the point in a different way: "Oh! We are so very happy that [Vincent] won't be crossing the sea anymore and that we have him a little closer to home" (b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877). 51. "really serious" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876. (See Ch. 9, n. 47.) 52. "at least eight years"b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: In addition to devoting the next eight years to study, Dorus told Vincent, he would have to secure a scholarship to pay for those years of study because of the family's strained finances. Just four months earlier (August 1876) Vincent's parents had decided they could not afford to send Wil to boarding school (b2768 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 8/30/1876). By their estimation, this constituted a potentially terrible turning-point in Wil’s life as well as a painful dereliction of parental duty. 53. did not encourageHulsker, "The Elusive Van Gogh, and What His Parents Really Thought of Him," p. 251. (See Ch. 9, n. 10.)  Dorus's letters to Theo are rife with pessimism about Vincent's potential for success in the ministry -- an indication of his trust in Theo but also a remarkable breach in his duty of confidentiality toward Vincent. "I cannot really imagine [Vincent] as a preacher,” Dorus wrote, “and wish so much that if he really wanted to become one he would just study for it. As it is, I am now afraid of it, and he will never find a living in it, but let us just hope he will come to realize that himself." (b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877.) 54. "useful and virtuous" b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877: Dorus wrote dejectedly: "If only [Vincent] could be happy and think about what has to be done to make it through the world; one can be useful and virtuous in any profession. While religion is not separate from real life, it should be hallowed." 55. "religion is not" b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877. (See Ch. 9, n. 53.) 56. at the behest of Uncle CentBVG 83, 12/31/1876. Vincent told Theo the story this way: "A couple of days ago Mr. [Pieter Kornelis] Braat of Dordrecht paid a visit to Uncle Vincent and they spoke about me, and Uncle asked Mr. B. whether he would have a place for me, if I should wish it. Mr. B. thought he might have a place, and said that I should come sometime to talk about it." (JLB 100, 12/31/1876.) Dorus vehemently denied to Theo that he or Uncle Cent had had any role in arranging the job in Dordrecht. "No one has had a hand in this," he wrote to Theo, "not even Uncle Cent. It is given to Vincent through the knowledge and faith they have in him." (b2804 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 12/31/1876.) The final line is a clue to the purpose of Dorus's prevarication to Theo: Dorus wanted to avoid the mistake he had made at the time of Vincent’s transfer from London to Paris in 1874. He did not want his intervention – or the appearance of it – to provoke a negative backlash from Vincent. This would explain many of the odd and improbable details in Vincent's account, such as the coincidental timing of Braat's visit to Cent and the studied casualness of the offer: "if I should wish it" and "I should come sometime to talk about it" (JLB 100, 12/31/1876).

We suspect these details are part of a cover story designed by Dorus to make the job in Dordrecht more palatable to Vincent. In fact, Dorus had been anticipating his conversation with Vincent (and, no doubt, the need to find a job for him) for at least a month. (See, e.g., b2797 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 11/24/1876 and b2800 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 12/6/1876.) Vincent, too, had reason to underplay to Theo the family's role in securing the position in Dodrecht. Out of pride, he wanted to preserve the appearance of independence in what was otherwise a very compromising volte face. A 1914 interview with Braat's son, Dirk, introduces another explanation: "On the strength of a letter from my brother Frans, who in those days was an employee of the firm of Boussod Valadon & Co., where he often came into contact with Mr. Theo van Gogh (Vincent's brother), my father decided to give Vincent a job in the shop operated by [his] firm." (Van Gogh-Bonger, with Deel and Druk, p. 107; see Ch. 9, n. 87).

Braat appears to have his story confused. Theo was still working at Goupil in The Hague in 1877 and, as far as is known, he did not become friends with Frans Braat until he moved to Paris in 1878 (JLB 143, 4/3/1878; JLB 145, 7/22/1878). Frans Braat became ill in 1884, but he and Theo were still friends in 1886 when Goupil was renamed "Boussod Valadon & Co." (JLB 438, 3/15/1884-3/19/1884). It is remotely possible that Theo knew Braat before 1878, but if Theo had played any role in Vincent's hiring, it makes no sense that Dorus would write Theo and deny that the family had played such a role. We suspect, rather, that Dirk Braat confused Vincent's Uncle Vincent, an influential art-world figure in 1877; and his brother Theo, an influential gérant in Paris a decade later. One part of Braat's account rings true. He said, "In point of fact, there was no vacancy in my father's shop. The staff was quite sufficient ... But you know how it is -- my father did not like to turn down Frans's request." (Brusse quoting Braat, in Brusse, in Van Gogh, Vincent, p. 108.) Substitute "Uncle Cent" for "Frans" in that sentence and you indeed have an offer that could not be refused. The nineteen-year-old Theo may or may not have put in a good word for his brother, but it is highly unlikely that his input was determinative with either Braat, fils or père.
57. Only a few days BVG 83, 12/31/1876: Everything happened very quickly. Pieter Kornelis Braat visited Cent after Christmas Day. Vincent visited Braat in Dordrecht on Saturday, December 30. It was not Dorus's habit to address difficult family matters prior to Christmas (partly because of his busy schedule), so we assume that father and son did not have their discussion until after December 26. The quick, easy unfolding of events supports our inference that Dorus had carefully choreographed everybody's role in advance.

Context:
JLB 100, 12/31/1876: "Uncle asked Mr. B. whether he would have a place for me, if I should wish it. Mr. B. thought he might have a place, and said that I should come sometime to talk about it. So I went there early yesterday morning; Pa and Ma and I, too, thought it was something we shouldn't let pass without seeing what it was."

143 58. Pieter Braat JLB 100, 12/31/1876; n. 3: Pieter Kornelis Braat managed the bookshop of Blussé and Van Braam. 59. Dorus dispatched him BVG 83, 12/31/1876: Vincent apparently returned from Dordrecht and left for Princenhage the same day, December 30.

Context:
JLB 100, 12/31/1876: "Anna and the girls and Cor went to Princenhage, and Pa wanted me to go with them."

60. reassuring Uncle Cent BVG 83, 12/31/1876: That is surely the import of Vincent's comment.

Context:
JLB 100, 12/31/1876: "Yesterday evening I was at Uncle Vincent's to tell him that I'd just been to Dordrecht."

61. "It was a stormy" BVG 83, 12/31/1876. Vincent's account is slightly muddled on when the storm occurred relative to his travel. He said he was "at Uncle Vincent's" in the evening, but also described the "stormy evening [on] the road to Princenhage" (JLB 100, 12/31/1876; emphasis added).

Context:
BVG 83, 12/31/1876: "Yesterday evening I was at Uncle Vincent's to tell him that I had gone to Dordrecht at once. It was a stormy night; you can imagine how beautiful the road to Prinsenhage was with the dark clouds and their silver linings."
JLB 100, 12/31/1876: "Yesterday evening I was at Uncle Vincent's to tell him that I'd just been to Dordrecht, it was a stormy evening, you can imagine how beautiful the road to Princenhage was with the dark clouds with their silver linings."

62. market square JLB 101, 1/21/1877; n. 1: Blussé and Van Braam Bookseller and Print shop was located at Voorstraat C 1602, on the Scheffersplein in Dordrecht. 63. "trial period" BVG 83, 12/31/1876: Vincent is emphatic on this point.

Context:
JLB 100, 12/31/1876: "Agreed that after the New Year I should go to [Dordrecht] for a week, after that we'll see. ... tell Mr. Tersteeg straightaway that I'll be going there for a week to see how it goes."

64. before his trunk BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "Longing to have my trunk, which is on the way, one reason being to have some prints hanging in my room again."

65. "wistful" b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877: "He writes regularly, but wistfully. The transition is indeed big and sudden, so it is no wonder that he feels a little out of place just now." 66. "I wished them" BVG 84, 1/21/1877. It is an interesting question whether the Slade-Joneses were surprised by this farewell letter. Vincent had left his clothes and other possessions behind at Holme Court, strongly suggesting that he expected to return. Yet, if the Slade-Joneses really were expecting him back, why did he not write to tell them he was not returning until January 14 (JLB 101, 1/21/1877)? Wouldn't they have expected him to either write or return sooner?

Context:
JLB 101, 1/21/1877: "[I] did wish that they, for their part, would remember me, and asked them 'to wrap my recollection in the cloak of Charity.'"

67. bookkeeping work BVG 84, 1/21/1877.

Context:
JLB 101, 1/21/1877: "I'll have rather a lot of bookkeeping to do for the time being and will no doubt be busy."

68. until late at night BVG 84, 1/21/1877.

Context:
JLB 101, 1/21/1877: "… things are going rather well in the shop, and it's so busy that I go there at 8 o'clock in the morning and come back at 1 o'clock at night."

69. "But I like it" BVG 84, 1/21/1877.

Context:
JLB 101, 1/21/1877: "… but I'm happy about that."

70. "The feeling of duty" BVG 86, 2/26/1877.

Context:
JLB 103, 2/26/1877: "[A] sense of duty sanctifies things and joins them together, and turns many small things into one large one."

71. "how much he enjoyed" b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877. Dorus relays this upbeat message from Vincent to Theo: “We are receiving good letters from Vincent; quite content … how much he has come to enjoy being [back] in the country.” Vincent wrote something similar to Theo: "How often we've longed to be together, and how terrible it is to feel so far away from one another in cases of illness or anxiety” (JLB 100, 12/31/1876). Such statements were received in Etten with predictable self-satisfaction:. "It's much more reassuring this way," Anna wrote (b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877). 72. "duty" BVG 83, 12/31/1876.

Context:
BVG 83, 12/31/1876: "My salary would certainly be a bit higher that with Mr. Jones, and it is one's duty to think of that because later in life a man needs more."
JLB 100, 12/31/1876: "… the salary would certainly be a little better than with Mr. Jones, and especially with an eye to later, when a man has need of more, one is obliged to think of such things."

144 73. "because later in life"BVG 83, 12/31/1876. (See Ch. 9, n. 72.) In the same letter, Vincent tried to pass off his new concern for money as an expression of family (and filial) devotion: "How often we've longed to be together ... and then the feeling that lack of money may very well stand in the way of our being together in times of need" (JLB 100, 12/31/1876).

Context:
BVG 83, 12/31/1876: "My salary would certainly be a bit higher that with Mr. Jones, and it is one's duty to think of that because later in life a man needs more."
JLB 100, 12/31/1876: "… the salary would certainly be a little better than with Mr. Jones, and especially with an eye to later, when a man has need of more, one is obliged to think of such things."

74. "so glad not to be a burden"Quoted by Görlitz in Van Gogh-Bonger with Deel and Druk, pp. 331-332. This is a great insight into how much Vincent's economic dependence weighed on him throughout his time in England, after his dismissal from Goupil. Curiously, Vincent was not as well paid in Dordrecht as he should have been. Görlitz recalls Vincent bragging: "I earn as much as my predecessor here [at the book store]." (ibid.) But, according to Görlitz, this was not true: "It was an illusion of [Vincent’s],” he says, “for he received F20 less than his predecessor, who was more experienced; but luckily his boss was polite enough to leave him with that illusion." This would also tend to support Dirk Braat's assertion that the position at Blussé & Van Braam had been created specifically to provide Vincent with some occupation; that it was not – as Dorus's and Cent's (and Vincent's) narrative would have it – a convenient coincidence that a position was available. 75. oldest city Brusse, n.p.: 1220 CE. 76. materials and merchandise Havard, pp. 13-14: Dordrecht’s most important sources of toll revenues were wine, grain, and wood. 77. top-heavy houses Havard, p. 4. 78. fêted royalty Havard, pp. 6-7: Havard tells the story of the spectacular reception Dordrecht staged by the city fathers for the visit of Marie de Medici in the seventeenth century: "They acquitted themselves so worthily of the duties of their station," wrote the court historian, "to the honour of the country and of their city, and to the special contentment of her Majesty, that, if some others have imi¬tated, none have surpassed them." Havard comments: "Such a tribute from such a pen is equivalent to a title of nobility for a town." 79. incubated Havard, p. 20: "Dordrecht was the first town in Holland to cast off the yoke of the foreigner ..." The Seven United Provinces (the proto-Dutch state) declared their independence from Spanish rule at a meeting in Dordrecht on July 16, 1572. 80. "delicious landscape" Havard, p. 4. (See Ch. 9, n. 81.) 81. magical rivers Havard, p. 4: "It was in the paintings of Cuyp, Van Goyen, and Ruysdael, those masters who were all three in love with that delicious landscape, with that magic river, and with the brightly-tinted city which looks into its waters as into a silver mirror." 82. picturesque poverty De Leeuw, Sillevis, and Dumas, eds., p. 207: De Leeuw , Sillevis, and Dumas describe Dordrecht as "one of the sleepy villes mortes that appealed to artists' imaginations ..." Dordrecht's decline began in the eighteenth century when competition from other ports and the waning of Dutch naval power severely reduced revenue from tolls. 83. faded remnants Havard, pp. 29-30: This nostalgia for the picturesque is beautifully evoked by Havard: "I wish I could take you to the neighbourhood of the church, to the great canal without quays, where brown old houses, with rickety staircases and black balustrades, stand in the water, and reflect their red roofs in its silvery flow. Nothing could be more picturesque, more characteristic, more perfect as an assemblage of lines, curves, and colouring, than those curious corners of the old river-girdled city, especially when a barge, crowded with peasant women wearing long veils, or the gigantic country caps, comes lumbering by. Then, to the fancy of the beholder, the old times return. The warm and decided colours, the sea-green water, in which everything is reflected so distinctly, the buildings in which red predominates, and black is blacker than anywhere else in the world, the blue sky dappled with grey, these sun rays which dart into every corner, produce delicious harmonies which rest the mind while they delight the eyes." 84. rickety staircases Havard, pp. 29-30. (See Ch. 9, n. 83.) 85. desultory attempts BVG 86, 2/26/1877: Of the kind of socializing his parents encouraged, Vincent reported only one example: an encounter with Nico Mager, a fellow employee at the bookstore. "I went to see Mager, who lives ... in a truly old Dutch house,” Vincent wrote. “He has a nice room there, we sat together for a long time talking." (JLB 103, 2/26/1877.) The Van Goghs would have approved because Mager apparently moved in the same circles as Uncle Cent. "[H]e told me about Menton and about a Christmas he had spent there," Vincent reported (ibid.), referring to the resort town on the Riviera where Cent wintered. Later, Dorus commented to Theo on Mager (whom he saw on a trip to Dordrecht in early June): "I would have wished you the company of Mager. That kid looks really good" (b2535 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 6/11/1877). In fact, Vincent's atypical encounter with Mager may have been prompted by a visit Theo made to Dordrecht in late February, immediately preceding Mager’s debut in Vincent’s correspondence. The timing probably reflects Theo's exceptional networking skills more than it does Vincent’s enthusiasm for his profession. Nor did Vincent follow up on the connection, apparently. He did not mention Mager again until two months later when he joined a group that included Mager, who boarded with the sexton of the Lutheran church (JLB 86, 7/8/1876), to hear a sermon (JLB 112, 4/22/1877-4/23/1877). In June, after Vincent had moved to Amsterdam, he apparently expected a visit from Mager, who never came (JLB 120, 6/12/1877). 86. "He had no intercourse" Brusse, in Van Gogh, Vincent, pp. 109-110: According to Braat, Vincent never paid a visit to the Braats, who lived upstairs over the store, and "never said a single word," even in passing, to the Braat daughter as she came and went through the long, narrow shop. 87. Dirk Braat Dirk Braat was Pieter Braat's third child. In 1914, Dirk's account of working with Vincent in Dordrecht in 1877 was solicited by an early Van Gogh chronicler, M. J. Brusse, whose report was published in the column "Onder de mensen" (Among the People) in a Rotterdam paper, the Nieuwe Rotterdamse Courant, May 26 and June 2, 1914. 88. "He hardly spoke" Brusse, in Van Gogh, Vincent, p. 110. 89. "singularly silent" Brusse, in Van Gogh, Vincent, p. 111. 90. "always wanted" Brusse, in Van Gogh, Vincent, p. 111. 91. "always alone" Brusse, in Van Gogh, Vincent, pp. 109-110. 92. grain merchant Brusse, in Van Gogh, Vincent, p. 110: The words over the door of Rijken's store/house on Tolbrugstraatje (Tollbridge Alley) read: "All Corn Chandler's Wares, Wheaten and Rye Flour. P. Rijken." 93. arose at three Brusse, in Van Gogh, Vincent, p. 111. 94. "spooky business" Brusse, in Van Gogh, Vincent, p. 111. 95. shuffling Brusse, in Van Gogh, Vincent, p. 111. 96. bought candles Brusse, in Van Gogh, Vincent, p. 111: The frugal landlord recalled: "[Vincent] bought the candles for [his late nights] himself -- don't get the idea that he got so much light from me! Oil cost good money, too." 97. that terrified the nervous Rijken Brusse, in Van Gogh, Vincent, p. 111: It wasn't just the extreme flammability of the structure; Rijkin did not trust Vincent with matches: "Besides, I was afraid of a fire -- because he was so queer." 98. "I could not" Brusse, in Van Gogh, Vincent, p. 111. 99. "[prints]" Brusse, in Van Gogh, Vincent, p. 111: Bonger's translation of the Brusse article uses the word "drawings," not prints, and it is clear from the article that either Rijken or Brusse intended to suggest that Vincent was doing a great deal of drawing at this time. Brusse has Rijken saying about these "drawings": "they were not a bit good, you see. The most childish stuff. Kind of small landscapes -- images, if you know what I mean. ... But all the things this Van Gogh drew, well, I thought them just trash ... Laughable." We do not find this credible. There is no other evidence that Vincent was doing landscapes or any other drawings at this time, certainly not in the abundance described by Brusse/Rijken. Clearly, what Vincent was putting up on the walls -- as he did in every place he lived -- was his print collection. His roommate Görlitz, who was in the best position to know, confirms this. In his account, Görlitz does not mention Vincent doing any drawing (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330). 145 100. "driving nails ruthlessly" Brusse, in Van Gogh, Vincent, p. 111: For clarity, we have collapsed two very similar phrases from Bonger's translation of the Brusse article: (1) "he simply fixed them with nails ruthlessly driven into the good wallpaper ..."; and (2) "covering the walls with those drawings and driving nails into the wallpaper ..." (emphases added). 101. standing at his desk Brusse, in Van Gogh, Vincent, p. 108. 102. eight in the morning Brusse, in Van Gogh, Vincent, pp. 109-110. 103. until midnight BVG 87a, 3/8/1877. Vincent mentions both midnight and one o'clock in the morning (JLB 101, 1/21/1877). (See the discussion in Hulsker, Vincent and Theo, p. 48.)

Context:
JLB 107, 3/8/1877: "I'm doing well here, at the beginning of the year there's a lot of work in the shop, so I'm there until 12 or 1 o'clock at night."

104. two hours off Brusse, in Van Gogh, Vincent, pp. 109-110: Between one o'clock and three o'clock. 105. "puttering" Brusse, in Van Gogh, Vincent, p. 108: In his relentless effort to tie his "journalistic" efforts to Vincent's reputation as an artist, Brusse used every opportunity to insert artistic foreshadowing into his account. All of these insertions strike us as unpersuasive inventions. Here he suggests that Vincent was drawing while at his desk at work -- "making little sketches, such silly pen-and-ink drawings, a little tree with a lot of branches and side branches and twigs." As in muchof early Van Gogh hagiography, the purpose of such anecdotes (conscious or unconscious, stated or unstated) was to lure the reader into a treasure hunt for forgotten or unidentified "early" Van Goghs that might be worth a fortune. They often succeeded in doing so. In this case, Brusse's prompting was very explicit: "Although it turned out that afterward, when [Vincent's] work had come so much into vogue, Mr. Braat had taken a good look through Vincent's little desk from top to bottom! ... But not the slightest vestige of his handiwork was to be found, neither outside nor in." 106. "drowsy" Brusse, quoting Braat, in Van Gogh, Vincent, pp. 109-110: Braat: "Father used to say, 'That boy is no good to me, for he is always drowsy in the daytime.'" 107. "did not really know" Brusse, in Van Gogh, Vincent, p. 108. 108. could not be trusted with customers Brusse, in Van Gogh, Vincent, p. 108: This was true despite the fact that Vincent’s desk was located on the main sales-floor. 109. "When he had to" Brusse, in Van Gogh, Vincent, p. 113. 110. halfpenny prints Brusse, in Van Gogh, Vincent, p. 109. 111. to children BVG 85, 2/7/1877-2/8/1877. The only mention of sales in Vincent's letters to Theo is a reference to thirty "drawing examples" that, presumably, he had distributed to students at the local high school (Hogere Burgerschool) (JLB 102, 2/7/1877-2/8/1877). "[B]ut they still want to select some for the secondary school, which is why they have to keep them for another week or so. You'll get them back as soon as possible" (ibid.). This exchange may be related to the comment recorded by Brusse in his introduction to the Nieuwe Rotterdamse Courant article reprinted in Bonger: "Jan Veth observed with a smile: 'I never spoke to Vincent van Gogh -- however, as a boy in Dordrecht, I often used to see him when he sold those colored halfpenny prints to the schoolchildren at Blussé and Van Braam's bookshop'" (Van Gogh-Bonger with Deel and Druk, p. 107). (Jan Veth was a prominent portraitist and essayist.)

Context:
JLB 102, 2/7/1877-2/8/1877: "Tell Mr. Tersteeg that he shouldn't be upset about the drawing examples being away for so long, it's for the high school, 30 have already been chosen -- but they still want to select some for the secondary school, which is why they have to keep them for another week or so."

112. blank paper Brusse, in Van Gogh, Vincent, p. 109. 113. "He was really" Brusse, in Van Gogh, Vincent, p. 109. 114. "a novice in business" Brusse, in Van Gogh, Vincent, p. 112. 115. town flooded BVG 85, 2/7/1877-2/8/1877. On January 30, Dorus wrote Theo from nearby Etten: "Last Thursday [January 25] I conducted evening service once again. In spite of the bad weather, the attendance was very good. We are having such stormy weather." (b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877.)

Context:
JLB 102, 2/7/1877-2/8/1877: "Last week we were flooded here."

116. "There was no" BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "There was quite a bit of commotion, and in all the downstairs rooms people were busy bringing upstairs what they could, and a small boat came down the street."

117. "on all the ground floors" BVG 85, 2/7/1877-2/8/1877. (See Ch. 9, n. 116.)

Context:
BVG 85, 2/7/1877-2/8/1877: "There was no little noise and bustle: on all the ground floors people were busy carrying things upstairs, and a little boat came floating through the street."
JLB 102, 2/7/1877-2/8/1877: "There was quite a bit of commotion, and in all the downstairs rooms people were busy bringing upstairs what they could, and a small boat came down the street."

118. admiration of coworkers Brusse, in Van Gogh, Vincent, p. 109: Summarizing Dirk Braat's account of the flood, Brusse writes, "[Vincent] was certainly obliging, and physically very strong, though he did not look it. During one of those frequent floods Mr. Braat had admired his physical strength and good nature." Brusse also records an incident (presumably related by Braat) which we have not included, and which Vincent did not mention in his account: "Without hesitating for a moment, Van Gogh rushed out of the house and waded through the water to his employer's house in order to warn him" (ibid.). Not surprisingly, in their efforts to say something positive about Vincent in this unflattering period, later biographers have tended to inflate this episode. Piérard turns it into comic-book heroism: "One day a number of houses in Dordrecht, including the Braum and Blussé [sic] establishment, were flooded, and Van Gogh, the taciturn assistant, astonished everyone by his zeal in saving the books from the inundation and in the example he gave of physical strength and endurance" (Piérard, p. 29). Vincent's behavior may have been exemplary enough for word of it to reach Etten. "The high water caused a lot of commotion over there," Dorus wrote Theo; "[Vincent] seems to have acquitted himself quite well" (b2505 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 2/7/1877). But this comment appears to be based only on Vincent’s account of the incident. 119. "Working with" BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "Working with your hands like that for a day is a welcome change, though it was a pity it was for that reason."

120. "homely, freckled" Brusse, in Van Gogh, Vincent, p. 112. In a different forum (and different translation), Görlitz referred to Vincent's face as "ugly" (Bailey quoting Görlitz, pp. 16-17). 121. "crooked" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. 122. "narrowed" Brusse, in Van Gogh, Vincent, p. 109. 123. "stood up on end" Brusse, in Van Gogh, Vincent, p. 112. 124. "No, he was" Brusse, in Van Gogh, Vincent, p. 109. 125. relic of former days Brusse, in Van Gogh, Vincent, p. 109: Braat referred to Vincent’s top-hat as “a bit of respectability he had brought back from England.” 126. "Such a hat!" Brusse, in Van Gogh, Vincent, p. 109: The punctuation of Bonger's translation of the Brusse article is slightly different: “But such a hat -- you were afraid you might tear its brim off if you took hold of it.” 127. moody Brusse, quoting Rijken, in Van Gogh, Vincent, pp. 110-111: "He had his moods, you see?" Görlitz described Vincent as having a "pensive, deeply serious, melancholy look on his face" (Görlitz, "Among the People," in Stein, ed., pp. 41-42). 128. mocked Brusse, quoting Görlitz, in Van Gogh, Vincent, p. 112: "Van Gogh provoked laughter repeatedly by his attitude and behavior -- for everything he did and thought and felt, and his way of living, was different from that of others of his age." 129. in search of quiet Brusse, quoting Rijken, in Van Gogh, Vincent, p. 112: "... at first he said his late hours were due to the pressure of business. Later on he told us he kept roaming about because he needed quiet ..." 130. "queer fish" Brusse, in Van Gogh, Vincent, p. 110. 131. "queer chap" Brusse, in Van Gogh, Vincent, p. 110. 132. "cracked" Wagener, in Masheck, ed., pp. 197-198. 133. torments Brusse, quoting Rijken, in Van Gogh, Vincent, pp. 110-111: "... the other young gentlemen [in the house] made fun of him." 134. rowdy young gentlemen Brusse, quoting Rijken, in Van Gogh, Vincent, p. 111: "Those lads had a very cozy life together. At the back of the house they had a glorious view of some gardens. And especially during the second half of the month, when they hadn't a penny to bless themselves with, they would huddle together, smoking each other's tobacco, and having fun.” Rijken says that there were "five or six" boarders, whereas Görlitz recalls "three boarders" (Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 327-330). The latter account, coming only fifteen years after the fact, is probably closer to the truth. Whatever the number, Vincent was clearly not part of this close-knit group. 146 135. berated him Brusse, in Van Gogh, Vincent, pp. 110-111: This appears to be the import of the following passage from Rijken's recollection: "[Vincent] had his moods, you see? For instance, sometimes he did not go home to dinner in the afternoon. He simply kept on walking ... Well, such things would never do for Mrs. Rijken ... and when he arrived at last, she would give him a piece of her mind." Rijken insisted that his wife showed Vincent maternal attention, but his examples all argue in the other direction (as does Vincent's failure to say anything positive about her). Görlitz maintained that "Mr. Rijken and his wife were very kind to [Vincent], for they held his earnestness and gentleness in high esteem”; but this is certainly not consistent with Rijken's recollections in Brusse (Van Gogh, Vincent, p. 113) and therefore not reliable on the question of Vincent's relationship with his landlord’s wife. Mrs. Rijken apparently suffered from "seizures" (b2508 V/1982, ''Gogh, Anna van'' to ''Gogh, Theo van'', 2/19/1877). 136. Rijken himself Brusse, quoting Rijken, in Van Gogh, Vincent, p. 111: To Brusse, Rijken admitted: "In fact, in my heart I made fun of him, too." Rijken made this comment specifically in regard to the “drawings” that he alleged Vincent was doing in his room at the time. As discussed in n. 9-142, we do not believe this aspect of Rijken's recollection and believe that he was probably conflating Vincent's later reputation as an artist with the prints that Vincent nailed to the walls of his room -- to the great consternation of his landlord. Years later, Rijken claimed (unconvincingly) to have had sympathy for his reclusive boarder with regard to the teasing he endured from his mates: "I could not stand the young gentlemen teasing him,: he said. “I don't know why, but I kept seeing him as a scapegoat" (ibid., p. 112). 137. "It was as if" Brusse, in Van Gogh, Vincent, p. 111. Rijken framed this harsh judgment in an ameliorative construction: “Occasionally, well, speaking frankly, it was as if the fellow was out of his mind.” 138. share his room Görlitz, "Among the People," in Stein, ed., pp. 41-42: Görlitz recalled that the landlord, Rijken, came to him and said: "Sir, would you object to sharing your room with Mr. Van Gogh? Otherwise I have no space for him; yet I would like to accommodate him." Görlitz replied: "Sure, on the condition that he is a suitable person." Görlitz was twenty-five at the time (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333). 139. studying to earn Görlitz, "Among the People," in Stein, ed., pp. 41-42. 140. "In the evening" Brusse, in Van Gogh, Vincent, p. 112. 141. occasional walksInterestingly, Vincent mentioned only two such walks, both early in his relationship with Görlitz: "Last Sunday, and today as well, we took a lovely walk along the canals and outside town as well, along the river Merwede” (JLB 101, 1/21/1877). In his account, Görlitz made a general reference to walks: "Only when we took walks together did the glorious views and vistas, in which Dordrecht is so rich, prompt him to single out what seemed beautiful to him" (Görlitz, “Among the People,” in Stein, ed., pp. 41-42). Vincent apparently mentioned these walks in his letters to his parents: "Nowadays [Vincent] goes for walks on Sundays with that school teacher,” they wrote Theo. (b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877.) 142. school for the poorGörlitz, in Van Gogh-Bonger with Deel and Druk, pp. 332-333. Görlitz reported that Vincent asked him, “What kind of school are you with?'” and he answered, “a school for the poor.” To which Vincent replied: “Then you have a beautiful job. [D]on't you really enjoy [teaching] those poor people something good and [lifting] them up from their misery and bad things?” 143. "poignant stories" Brusse, in Van Gogh, Vincent, p. 113. Not surprisingly, Vincent appears to have dramatized his situation somewhat to Görlitz, exaggerating the poverty of his students in Isleworth and idealizing the relationship between the students and Reverend Slade-Jones. Görlitz recalls Vincent saying, "[Jones] was particularly adept at catching the attention of those boys from the London slums by his exhibitions. In the evening with the sparse light in the room and all those different faces and the picturesque figure of that old man, that made a big impression on me; those were very nice and unforgettable days." (Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 332-333.) 144. "he warmed" Brusse, in Van Gogh, Vincent, p. 112. 145. "changed and brightened" Brusse, in Van Gogh, Vincent, p. 112. 146. "religious work"This is the context in which Vincent made the oft-quoted pronouncement about his religious ambitions: "As far as the other thing is concerned, for these reasons I won't give it up" (JLB 100, 12/31/1876). It was not said in defiance of the future his father has selected for him (at the bookstore), but rather in an effort to reconcile that future with his previous religious ambitions. The rest of the passage makes this clear: "Pa's spirit is so great and many-sided, and at all events I hope that something of it will develop in me. The [only] change means that now, instead of teaching those boys, I'll be working in a bookshop" (ibid.). 147. "Strict piety was" Görlitz, "Among the People," in Stein, ed., pp. 41-42. 148. "He was excessively" Brusse, in Van Gogh, Vincent, p. 109. 149. "The Bible is" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. 150. "read it daily" BVG 88, 3/16/1877: Note: we have slightly altered Bonger's translation.

Context:
BVG 88, 3/16/1877: "You do not know how I am drawn to the Bible; I read it daily, but I should like to know it by heart …"
JLB 108, 3/16/1877: "I do read something out of [the Bible] every day, but I'd so much like to know it by heart."

151. French, German, and English Brusse, in Van Gogh, Vincent, p. 108. 152. four neat columns Brusse, in Van Gogh, Vincent, p. 108. 153. "If a beautiful text" Görlitz, "Among the People," in Stein, ed., p. 42. 154. "Good heavens!" Brusse, in Van Gogh, Vincent, p. 109. 155. his big Bible Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330: "When [Vincent] came home from his office at 9 in the evening he lit a wooden pipe, took a large Bible, and diligently was reading and writing down and memorizing texts ..." 156. "on his bed" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. 157. hung biblical illustrations Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330: "One day, [after] we [had] kn[own] each other for one month, he asked me, again with his irresistible smile: 'G[örlitz], you could do me such a pleasure, if you wanted.' I responded: 'Well, how, speak up. Oh, the room is really your room and I would like to get your permission to put up some biblical illustrations on the wall.' Of course I immediately consented and feverishly he went to work. After half an hour the whole room was decorated with biblical images and ecce homo's." 158. mostly of Jesus Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. Görlitz mentioned specifically Scheffer's Christus Consolator. Before Vincent's trunk arrived from England, he was able to put up only the Christus Consolator, and "two English woodcuts,” both depicting the Supper at Emmaus" (JLB 102, 2/7/1877-2/8/1877). This provides a rare dating parameter on Görlitz's recollections. Clearly, Vincent was not able to "decorate the whole room" with prints, as Görlitz testified, until after his trunk arrived sometime in February. Also, Görlitz's description of Vincent’s print collection as consisting of "biblical images and ecce homo's suggests either that Vincent recnsituted his collection while in England, or that he hung only selections from it in Dordrecht (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330). 159. "the whole room"Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. (See Ch. 9, n. 157.) 147 160. "Sorrowful yet" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330. The translators of Görlitz's letter to Frederik van Eeden render this passage variously as "always sad, but always happy" and "Ever sorrowful, yet always rejoicing" (Görlitz, in Welsh-Ovcharov, ed., p. 17). But there is no doubt that Vincent intended to reference his favorite phrase from 2 Corinthians 6:10: “Sorrowful yet always rejoicing.” 161. At Easter Görlitz, in Welsh-Ovcharov, ed., p. 17. Easter fell on April 1 in 1877. Vincent probably adorned the images on his wall for Palm Sunday, March 25. 162. "I was not a" Görlitz, in Welsh-Ovcharov, ed., p. 17; emphasis in original. 163. "lived like a saint" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331. 164. "frugal like a hermit" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331. 165. "ate like a penitent fiar"Brusse, in Van Gogh, Vincent, p. 112: "Four potatoes with a bit of jus and a bite of vegetables,” Görlitz recounted to Brusse, “ that was his meal." 166. meat only on Sundays Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331. Elsewhere, Görlitz is quoted as saying without qualification that Vincent "would not take meat, gravy, etc." (Brusse, in Van Gogh, Vincent, p. 112). 167. small amounts Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331. 168. "To men the physical life" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331. 169. "I don't want" Brusse, in Van Gogh, Vincent, p. 112. 170. mended his own Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333. 171. food for stray dogs Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331: Görlitz told a strange and somewhat disturbing story on this subject. "We went walking on a certain Saturday afternoon, and we saw a scroungey, exhausted, abandoned street dog, begging and hungry. [Vincent] looked in his portemonnaie [change purse] and found a dime (it was the last one, for it was near the end of the month). He bought two rolls for the dog for a nickel, and contentedly was watching the dog devour the bread in a few bites. Returning to his two companions, [Van Gogh] said: 'What do you think that animal told me? That he would like two more' and following his impulse he bought two more and gave them to the hungry dog." It is possible, but not at all clear, that Vincent intended this as a joke. 172. one luxury Brusse, in Van Gogh, Vincent, p. 113: "He lived like a kind of ascetic, and permitted himself only one luxury -- a pipe. Cigars were too expensive, and, for that matter, he liked to smoke pipe tobacco and in large quantities." 173. going from church to church BVG 87, 2/28/1877: Vincent's rounds took him from the immense Brabantine Gothic Grote Kerk to the little, Zundert-like Nieuwe Kerk. The Nieuwe Kerk was also called the Sint Nicolaaskert (on Torenstraat) (JLB 104, 2/28/1877; n. 4).

Context:
JLB 104, 2/28/1877: "Last night I left the office at 1 o'clock and walked around the Grote Kerk again and then along the canals and past that old gate to the Nieuwe Kerk and then home."

174. Dutch and French BVG 85, 2/7/1877-2/8/1877. Vincent especially liked the French (or Walloon) church, where he found the services “very serious and dignified,” he said. “[It] has something very appealing” (JLB 102, 2/7/1877-2/8/1877). He was especially drawn to the preacher, a "Rev. Hooyer," a Dutchman who preached in French (JLB 113, 4/30/1877). The Walloon church building, at the corner of Visstraat and Voorstraat, still stands. But, like so many such buildings in Holland, it has been put to secular use (JLB 113, 4/30/1877; n. 8).

Context:
JLB 102, 2/7/1877-2/8/1877: "Last Sunday morning I was in the French church here, which is very serious and dignified and has something very appealing."

175. Catholic BVG 83, 12/31/1876.

Context:
JLB 100, 12/31/1876: "I also went briefly to the Roman Catholic church, where evening Mass was under way, it was a beautiful sight, all those peasants and their wives with their black clothes and white caps, and the church looked so friendly in the evening light."

176. three or four sermons BVG 94, 4/30/1877. In this letter, Vincent reported hearing a morning sermon by Reverend Hooyer in the French church, as well an afternoon sermon by Reverend Keller van Hoorn at the Grote Kerk, and an evening sermon by “Rev. [Samuel Essenius] Greeff” at a Dutch Reformed church. (See Tralbaut, p. 53.)

Context:
JLB 113, 4/30/1877: "… in the morning I heard the Rev. Hooyer's farewell sermon in the little French church. ... In the afternoon I went to the Grote Kerk to hear the Rev. Keller van Hoorn ... [and] in the evening I heard the Rev. Greeff."

177. "I see God" Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 330-331. 178. preaching mattered Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 330-331: Görlitz recalled Vincent saying: "Well, I see God in each church and whether it is a catholic or a protestant minister preaching, it is the same to me ..." 179. lifted up BVG 83, 12/31/1876. (See Ch. 9, n. 175.)

Context:
JLB 100, 12/31/1876: "I also went briefly to the Roman Catholic church, where evening Mass was under way, it was a beautiful sight, all those peasants and their wives with their black clothes and white caps, and the church looked so friendly in the evening light."

180. "fire and enthusiasm" BVG 94, 4/30/1877.

Context:
BVG 94, 4/30/1877: "… in the morning I heard the farewell sermon of the Reverend Mr. Hooyer in the French church. The church was crowded, and he spoke with fire and enthusiasm."
JLB 113, 4/30/1877: "… in the morning I heard the Rev. Hooyer's farewell sermon in the little French church. The church was full, he spoke with fire and feeling."

181. to sober the smug burghers BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "I was moved by the sight of that distinguished, singular congregation, the mood was very earnest. He thanked them for the love that he had received from many of them, especially at difficult times, in the beginning, four years ago, when he was wrestling with the difficulties of speaking in French, because he's a Dutchman."

182. Sunday tours Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331: Vincent begged Görlitz and even his other housemates to join him at church. Görlitz recalled “the happy, totally satisfied face [Vincent] showed when he finally succeeded in getting us to go to the church with him. When we went home he asked: 'Didn't you like it better below those beautiful arches and the solemn organ than smoking cigars in your room? Are you coming again next time, won't you?' he coaxed; and I could not refuse him, I went with him again." 183. Charles Spurgeon Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 330: Görlitz reported that Vincent “was reading every evening from his [Bible] or from an English Testament or from the Juweeltjes by Rev. Spurgeon (the only three books he read as long as I knew him)." 184. drafting sermons Görlitz, "Among the People," in Stein, ed., pp. 41-42. 185. inspirational readings Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331: "[Vincent] often asked us if he could read to us something beautiful; then he did that, but not to the liking of the youngest among us, who then usually tried to make him or us laugh by making funny remarks or making odd faces." 186. laughed and made faces Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331: Görlitz. (See Ch. 9, n. 185.) 187. dinnertime prayers Brusse, in Van Gogh, Vincent, p. 112. 188. "Let them laugh" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 331: Görlitz refers to a singular housemate ("Let him laugh"), but Rijken disagrees about the number of boarders in the house. Both Görlitz and Rijken indicate that more than one boarder ridiculed Vincent's religious pretensions. 189. "a girl from a lower class" BVG 198, 5/14/1882. Hulsker points out that this passage was originally omitted by Bonger from her 1914 edition of the letters (Hulsker, Vincent and Theo, pp. 68-69).

Context:
BVG 198, 5/14/1882: "You mention something that happened to you. I think I am able to recall something about it very faintly in the dim and distant past. If I remember rightly, you were acquainted with a girl from a lower class and . . . were fond of her and sl . . . with her."
JLB 227, 5/15/1882: "You speak of something that happened to you. I believe I remember something very vaguely, as if in a mist long ago. If I remember rightly, you were acquainted with a girl from a lower class and you loved her and had slept with her."

190. gotten her pregnantWe can identify five reasons to believe that Theo’s liaison led to a pregnancy: (1) Vincent later made it clear that Theo had slept with the woman (see Ch. 9, n. 189). (2) In August 1876, about nine months prior to this crisis in May 1877, Dorus had heatedly excoriated Theo for his involvment with a lower-class woman who had applied for a position as a governess for Wil and Cor (see Ch. 8, n. 304). Dorus was especially upset that Theo had met with the woman in person and in private. (3) In a letter written in March 1877, Mother Anna wrote Theo in a way that suggests she either knew or suspected the truth: "If you are thinking about the one you will never win for yourself, rest assured that neither God nor you will keep her to himself, and if she truly wants to do what's good, she will be able to. Young and healthy, and with the kind of connection she has to life, she will be able to work for herself, and her baby, and her parents." (b2513 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/14/1877; emphasis added.)

Stolwijk takes this to mean that the woman already had "a child to care for," rather than a baby on the way -- a generous interpretation for which we can find no support (Stolwijk, p. 51). (4) Given Theo's highly developed sense of duty, it is extremely unlikely that he would have sacrificed his family honor and his position at work just for the love of a woman that he could well have kept quietly as a mistress (still a common practice of which Theo would avail himself repeatedly in his life). (5) Vincent's letters in the fall of the previous year, especially JLB 89, 8/26/1876 in August, strongly suggest that Theo was deeply involved in a relationship at that time, and that the relationship caused him anguish. Whether or not this was the governess candidate from August, the timing would conform to a visible pregnancy in February-March. Leo Jansen noted to the authors that there is an ink blot on the original letter: "I suspect someone other than Vincent caused it, deliberately. But he did indeed write 'slept with her,' not a coarser expression. See JLB 227 5/14 or 15/1882; facsimile of p. 2v: 6."

148 191. "illusion" BVG 212, 7/6/1882:  It is clear Vincent is referring to this affair (Theo had many). He says later in the same letter, "Your failure was when you were twenty." Theo turned twenty on May 1, 1877.

Context:
BVG 212, 7/6/1882: "In the past you also had an 'illusion,' as Father and Mother call it, about a woman of the people; and it was not because you could not have chosen that path in life that nothing came of it after all, but because things in general took another turn."
JLB 244, 7/6/1882: "In the past you had what Pa and Ma also call an 'illusion' for a woman of the people, and the fact that nothing came of it wasn't because you couldn't take that path in life but because things took a different course ..."

192. "Our sweet Lord" b2518 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/24/1877. To this mild rebuke, Anna added some practical advice that does not convey a feeling of crisis at the parsonage: "Wear a tie, and put on some warm clothes" (b2513 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/14/1877). Another example of the parents' less harsh, reaction to Theo's misbehavior than to Vincent's is this Confucian advice to Theo: "cover the blossom of your age with the robe of faith and with the sincerity and respectability that comes with that. Piousness and happiness travel together." (b2522 V/1982, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 4/29/1877.) These and other mild chastisements mixed with encouragements may have suggested to Vincent that anything could be forgiven as long as one was successful in one's career. 193. extracted a promise BVG 198, 5/14/1882. Five years later, Vincent recalled this 1877 bargain between Theo and his father: "[Y]ou consulted Pa about it, and also discussed it with me. And Pa made you promise something to do with [not] marrying [her]. I don't know what exactly, but perhaps that you wouldn't do such a thing without his permission while still a minor." (JLB 227, 5/15/1882.) In 1882, of course, Vincent was living in The Hague with a prostitute whom he wanted to marry, despite his parents’ objections (see chapter 16). He distinguished his situation from Theo’s in 1877by arguing that he, unlike Theo at the time, was not a minor and that he, also unlike Theo, had no social standing to be adversely affected.

Context:
JLB 227, 5/15/1882: "[Y]ou consulted Pa about it, and also discussed it with me. And that Pa made you promise something to do with marrying. I don't know what exactly, but perhaps that you wouldn't do such a thing without his permission while still a minor."

194. stop seeing the girlStolwijk, p. 51: Theo's parents also demanded that, under no circumstances, would he marry without their consent. Reluctantly, dutifully, Theo agreed. For the next three months, he struggled with guilt and despondency (see Ch. 9, n. 200). He sought solace in low company and high living, giving his parents fresh cause for concern. Strangely, Theo appears to have faithfully reported his low living to his parents (not unlike Vincent's detailing his wanderings in England to his parents knowing such reports would upset them). Anna wrote Theo in May: "Reading your letter ... it disappointed me to learn that you still haven't regained your strength and that even though you aren't feeling strong yet, you're not avoiding dangerous places and you let yourself be tempted. ... Don't let them find you in places and streets where others parade, and if you have to pass such a road, remember to avoid any appearance of fixation, etc. by the attraction of the young men and women that parade there." (b2533 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 5/21/1877.)

Dorus wrote in April: "You cannot be condemned for going to a party just to have fun! ... [B]ut remember, when after the party someone suggests you top it off by going to a certain place (you know what I mean) then tell yourself and, if needed, also the others: 'Basta [Enough]! I am not going!'" (b2520 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 4/18/1877.) There can be no doubt that Dorus's warning about "a certain place" refers to brothels. By avoiding such places, he went on to say, one "can prevent heaps of sin and suffering." Then he cited a passage from De Genestet with distinctly sexual overtones: "Youth is like a wheat field, delightful and beautiful for the eyes. Howling, churning and swelling in the early morning wind!" (b2520 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 4/18/1877.)

195. "miserable and detestable" b2532 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 5/21/1877. 196. a godless liaison b2532 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 5/21/1877: According to Dorus, the relationship was not only "without any moral foundation," it was also "a relationship for which there is no blessing." 197. "based only on" b2532 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 5/21/1877. 198. ruin and damnationb2532 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 5/21/1877: "A man, a young man, a well-to-do young man like you, would destroy himself when you let yourself be tempted again in starting a relationship for which there is no blessing." 199. "Open your eyes"b2533 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 5/21/1877: Theo's mother took a somewhat softer approach than his father, scolding the girl for not "respect[ing] the vow she knew you had made to your parents." Anna appealed to Theo's desire to please his parents and to his sense of responsibility for keeping family order -- in short, his guilt. "Don't make yourself and us unhappy," she wrote. "It may be hard to make a sacrifice, but your love is based on sensuality and you have to open your eyes so that you can resist the danger of giving in to it. Dear Theo, if God sees you struggling and if you are lucky enough to overcome this, you can go many ways as far as this matter is concerned and God can help you find a decent girl, so that you have good prospects of becoming happy with her. A girl we will gladly call our child and can be considered worthy of you. I hope you'll strive for this again son, and will work and pray, and search for decent thoughts.” (Emphasis added.) 200. despairb2512 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/14/1877: Theo pleaded his guilt to his parents. Dorus tried to console him in his usual insensitive way, only confirming the offense: "Please, do not blame yourself for having increased our worries." 201. leaving the country BVG 99, 5/31/1877.

Context:
JLB 118, 5/31/1877: "In your last letter you write that you were thinking about moving elsewhere if possible, and you mention London and Paris."

202. pain and misery Stolwijk and Thomson, p. 30: "[I]n May 1877 he wrote to tell Vincent that he knew he was causing his parents a great deal of pain." 203. "I am so lonely and sad" BVG 88, 3/16/1877: Vincent quotes his brother's letter.

Context: BVG 88, 3/16/1877: " 'I am so lonely and sad,' you say. 'And yet I am not alone, for the Father is with me.'"
JLB 108, 3/16/1877: " I'm so sad and so alone, you say. 'And yet I am not alone, because the Father is with me.'"

204. "I wish I could" BVG 98, 5/30/1877: This passage from Theo's letter was quoted by Vincent in his response.

Context:
JLB 117, 5/30/1877: "There were some words in your letter that touched me, 'I should really like to get away from everything, I'm the cause of everything and only make others sad, I alone have caused all this misery to myself and others.'"

205. Theo's cry for helpTheo apparently visited Vincent sometime before January 21, soon after Vincent arrived in Dordrecht (JLB 101, 1/21/1877). The letter in which Vincent launched his campaign of consolation is dated February 7-8 (JLB 102, 2/7/1877-2/8/1877). Theo told his parents about the woman sometime in early March, it appears (b2513 V/1982, ''Gogh-Carbentus, Anna C. van'' to ''Gogh, Theo van'', 3/14/1877; Dorus probably knew sooner than this). Interestingly, this repeats the pattern of the previous fall, when Vincent knew about Theo's romantic entanglement, and the "related illness," a month before his parents knew (see Ch. 8, n. 304). 206. when Theo fell sickSee Ch.8, n. 304. 207. exactly echo BVG 85, 2/7/1877-2/8/1877. For example: "They that sat in darkness and the shadow of death have seen a great light'; 'Weeping may endure for a night, but joy cometh in the morning'" (JLB 102, 2/7/1877-2/8/1877, emphasis added). The italicized verse (Psalm 30:5) appears also in Vincent's sermon (Brusse, in Van Gogh, Vincent, p. 89).

Context:
JLB 102, 2/7/1877-2/8/1877: "'But they constrained Him, saying, Abide with us: for it is toward evening, and the day is far spent', and another: 'They that sat in darkness and the shadow of death have seen a great light'; 'Weeping may endure for a night, but joy cometh in the morning.'"

208. "grateful tears" BVG 85, 2/7/1877-2/8/1877. Vincent wrote in a marginal note: "Rejoice on earth, praise God on high, / Let thankful tears stream from your eye" (JLB 102, 2/7/1877-2/8/1877; Hymn 113:1). In the same letter, Vincent set out his proposition more fully and directly in what appears to be a summary of where he stands in his life: "There can come a time in life when one is tired of everything, as it were, and has the feeling as if everything that one does is wrong, and there's certainly some truth in that -- is this a feeling that one ought to avoid and repress, or it is rather 'the godly sorrow' that one must not fear but carefully consider whether it can perhaps compel us to do good." The strange expression “godly sorrow,” from 2 Corinthians 7:10 (“For godly sorrow worketh repentance to salvation not to be repented of: but the sorrow of the world worketh death”) appears to be a variation on "sorrowful, yet always rejoicing" -- the latest expression of Vincent's increasingly desperate effort to locate positives in the seemingly relentless negatives of life, especially his own life. In this paradoxical universe, tears became a sign of joy and religious doubts became a tribute to God.

Context:
BVG 85, 2/7/1877-2/8/1877: "Rejoice, oh earth, rejoice unto God on high; / Let grateful tears flow from thine eye ..."
JLB 102, 2/7/1877-2/8/1877: "Rejoice on earth, praise God on high, / Let thankful tears stream from your eye ..."

209. "vital strength" BVG 85, 2/7/1877-2/8/1877.

Context:
BVG 85, 2/7/1877-2/8/1877: "If we let ourselves be taught by the experience of life, and led by the sorrowing for God, vital strength may spring from the weary heart."
JLB 102, 2/7/1877-2/8/1877: "If we let ourselves be taught by the experience of life and led by godly sorrow, then new vitality may spring from the tired heart."

210. "the weary heart" BVG 85, 2/7/1877-2/8/1877. (See Ch. 9, n. 209.)

Context:
BVG 85, 2/7/1877-2/8/1877: "… vital strength may spring from the weary heart."
JLB 102, 2/7/1877-2/8/1877: "… new vitality may spring from the tired heart."

211. freely mixed his own guilt BVG 85, 2/7/1877-2/8/1877. Vincent described Theo as "heavy laden" and "tired of oneself"; and summoned him to be "consumed" in the "fire" of religious devotion -- all self-referential characterizations (JLB 102, 2/7/1877-2/8/1877). Vincent also cited a Biblical verse to assure Theo of forgiveness for his "iniquities": "thou removest my iniquities from me as far as the east is from the west" (ibid.). The verse is Psalms 103:12: "As far as the east is from the west, so far hath he removed our transgressions from us." Vincent reinforced the spirit of solidarity with Theo conveyed by this passage by splicing it to another verse: "For the zeal of thine house hath eaten me up; and the reproaches of them that reproached thee are fallen upon me" (Psalms 69:9).

Context:
JLB 102, 2/7/1877-2/8/1877: "And at such times, in which one feels tired of oneself, one may think with heedfulness, hope and love of the words 'Come unto Me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of Me; for I am meek and lowly in heart: and ye shall find rest unto your soul."

212. who is the consoled BVG 85, 2/7/1877-2/8/1877. Vincent wrote Theo, “[B]e true to your own nature and be separate, distinguish between good and evil even if you don’t show it. Do it for yourself." (JLB 108, 3/16/1877.) Note how this advice directly challenges their parents' gospel of convention and conformity. About the woman who had triggered the crisis, Vincent assured his brother that "Father loves you more than she does" and that "his love is worth more" (JLB 111, 4/15/1877). As for marrying her, Vincent apparently advised strongly against it, as he did when Görlitz came to him about the same time and announced his plans to marry. "[Y]ou are still too young," Vincent told him. "[T]he passions should be tamed before one takes such a serious step; you can only be a real man when passions have been conquered, for only then you can successfully strive to become a spiritual being; the animal must get out, then the angel enters." (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333; emphasis in original.) Görlitz was shocked by the vehemence of Vincent's negativity about marriage: "Now the seriousness of his look on life, his religious feelings, really took over. For more than an hour and a half he tried to prevent me from taking that step that I intended to take.” (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333.) However, when Görlitz applied for a teaching position in Leur (near Etten), Vincent expressed the hope that he would get the job and "then he would probably marry very soon" (JLB 112, 4/22/1877-4/23/1877).

This complete volte face within months, perhaps weeks, is difficult to explain unless Vincent was being disingenuous with his brother. Or, more likely, his fervent argument to Görlitz was really a displaced argument against Theo's marriage. If there is a common thread, it is solidarity: Vincent did not want Theo to do anything that Vincent could not or would not do. That would explain why he did not support his parents' ban on Theo seeing the woman again. Vincent's permission no doubt contributed to Theo's decision to resume the forbidden relationship soon afterward. About three months later, Dorus launched his blistering attack on Theo for seeing the woman again (b2532 V/1982, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 5/21/1877). We are assuming that Theo’s father discovered that Theo had resumed the relationship only some time after he had done so.

213. "There is a time" BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "There can come a time in life when one is tired of everything, as it were, and has the feeling as if everything that one does is wrong."

214. exhortations BVG 100, 6/4/1877-6/5/1877. One of these lectures took the form of a long passage from Lamartine's biography of Oliver Cromwell, which Vincent enclosed in his letter -- knowing full well, no doubt, that the author had renounced his love of a young woman to become a man of God.

Context:
JLB 119, 6/4/1877-6/5/1877: "… you'll also feel moved by the enclosed, I read these pages on a very stormy day last week."

215. urged him to read BVG 87, 2/28/1877.

Context:
JLB 104, 2/28/1877: "You have of course a De Génestet. Do read it much and often."

216. De Génestet BVG 87, 2/28/1877:

Context:
JLB 104, 2/28/1877: "You have of course a De Génestet. Do read it much and often. Pa sent me this once when I was in Paris: When I was a lad. ... There is no Priest who can explain / Him."

217. Longfellow BVG 86, 2/26/1877. Vincent copied out Longfellow's "The Light of Stars":

The night is come, but not too soon;
And sinking silently,
All silently, the little moon
Drops down behind the sky.

There is no light in earth or heaven
But the cold light of stars;
And the first watch of night is given
To the red planet Mars.

Is it the tender star of love?
The star of love and dreams?
O no! from that blue tent above,
A hero's armour gleams.

And earnest thoughts within me rise,
When I behold afar,
Suspended in the evening skies,
The shield of that red star.

O star of strength! I see thee stand
And smile upon my pain;
Thou beckonest with thy mailed hand,
And I am strong again.

Within my breast there is no light
But the cold light of stars;
I give the first watch of the night
To the red planet Mars.

The star of the unconquered will,
He rises in my breast,
Serene, and resolute, and still,
And calm, and self-possessed.

And thou, too, whosoe'er thou art,
That readest this brief psalm,
As one by one thy hopes depart,
Be resolute and calm.

O fear not in a world like this,
And thou shalt know erelong,
Know how sublime a thing it is
To suffer and be strong.

Context:
JLB 103, 2/26/1877: "Don't know if I already sent you that poem by Longfellow which I herewith copy out, it has often held a strong attraction for me, and will perhaps for you, too."

218. a magazine illustrationBVG 94, 4/30/1877. Louis Apol was a Dutch painter who specialized in winter landscapes. His best known work was A January Evening in the Hague Woods (c. 1875). Eigen Haard was a Dutch magazine. This campaign to console Theo using images that evoked the Zundert parsonage was capped in February, when Theo visited Vincent in Dordrecht and the brothers jointly visited the Dordrecht museum to see the original version of Scheffer's Christus Consolator, an image that featured prominently in their childhood home (JLB 103, 2/26/1877). In addition to the Christus Consolator, Vincent and Theo also saw the same artist's Christ in the Garden of Gethsemane, which Vincent described as "unforgettable" (JLB 101, 1/21/1877). He also described seeing, inter alia, "a sketch of The Sorrows of the Earth and various drawings, and also the portrait of his studio and, as you know, the portrait of his Mother" (ibid.). The museum was then located "in the upstairs room of the past Boterbeurs on the Wijnstraat" (Dordrecht catalog, n.p.).

Context:
JLB 113, 4/30/1877: "After church I walked along that path behind the station where we walked together, thinking of you and wishing we could be together -- and kept on walking until I came to the cemetery at the end of a black cinder road running through the meadows that looked so beautiful in the twilight. The cemetery looks a little like that drawing by Apol in 'Eigen Haard,' there's a canal around it and there's a house surrounded by pine trees, yesterday evening the light was shining through the windows in such a friendly way -- it's an old house that looks like a parsonage."

219. the Zundert parsonageBVG 94, 4/30/1877. (See Ch. 9, n. 218.)

Context:
JLB 113, 4/30/1877: "… there's a house surrounded by pine trees … -- it's an old house that looks like a parsonage."

220. created his own BVG 89, 3/22/1877: Soon after Theo left Dordrecht, Vincent took up paper and pen to transform their adieu into a comforting image. This "painting" of the brothers’ shared childhood contains many tropes common to the genre images of country life (both in art and in poetry) that were among Vincent's favorites: black fields, young green corn, and larks singing.

Context:
JLB 109, 3/23/1877: "I stood there watching the train you left in as long as it was still in sight. We're such old friends, aren't we? How long we've walked together, starting in the black fields with the young green wheat at Zundert, where we heard the lark at this time of year with Pa."

221. "The hours that we spent" BVG 86, 2/26/1877. Other letters contain word paintings that bear the hallmarks of Vincent's romantic "augmentation." In late February, he wrote to Theo: “The hours we spent together passed quickly, that small path behind the station where we saw the sun going down over the fields and the evening sky reflected in the ditches, and where those old moss-covered tree-trunks are standing, and the little mill in the distance -- I'll walk there again and think of you.” (JLB 103, 2/26/1877). Only a few days later, he added another one: "Last night I left the office at 1 o'clock and walked around the Grote Kerk ... It had snowed and everything was so still, the only thing one saw was a little light here and there in one or two upstairs rooms and, in the snow, the black figure of the rattle-man. It was high tide, and the canals and boats looked dark against the snow. It can be so beautiful there by those churches. The sky was grey and foggy, and the moon shone faintly through it." (JLB 104, 2/28/1887.)

Context:
JLB 103, 2/26/1877: "The hours we spent together passed quickly, that small path behind the station where we saw the sun going down over the fields and the evening sky reflected in the ditches, and where those old moss-covered tree-trunks are standing, and the little mill in the distance -- I'll walk there again and think of you."

149 222. not welcomed b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877: "I do indeed think that [Vincent] is always inclined towards melancholy," Dorus worried. "He had better not immerse himself too deeply [in it]." 223. "excesses" b2756 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/1/1876: Complaining of Vincent's long walks, Dorus wrote, "those are excesses that aren't right." 224. dedicated study b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877. Dorus wrote with a hint of exasperation: "[Vincent] still thinks of becoming a reverend, but I wonder if he can do it and if he will sacrifice 7 years for continuing study of languages etc. I wish he would stay with his present work. It worries us." This is only one of Dorus's many expressions of skepticism about Vincent's ability or willingness to persevere in a religious vocation (see, e.g., b2756 V/1982, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 7/1/1876). Citing the letter in which Vincent mentioned that he was looking for a position in the church ( BVG 69, 6/17/1876; JLB 84, 6/17/1876), Hulsker writes: “It is interesting to note that he had told his parents about this in considerable detail, but the Reverend van Gogh seems not to have been too pleased about his son's new ambition.” (Hulsker, "The Elusive Van Gogh, and What His Parents Really Thought of Him," p. 250.) 225. "I truly hope" b2515 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/17/1877. 226. "I wish he would" b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877. (See Ch. 9, n. 224.) 227. sleepless b2518 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/24/1877: Anna did not hide her worry from Theo: "Poor Dad. His condition still hasn't improved. He doesn't get much sleep either." After Theo made his shocking announcement in March, the combination of troubles sent Dorus to his sickbed for the rest of the month. On March 17, Dorus reported, "I am doing a lot better, but yesterday I let the doctor come, who forbid me to preach tomorrow" (b2514 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/17/1877). All of the Van Goghs believed in this kind of mind-body connection, which, of course, helped make it truer for them. 228. path of self-sufficiency b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877: In regard to Vincent's job in Dordrecht, Dorus wrote in less than glowing terms: "[I] hope that he may get encouragement from the notion that he too can be adequate." In the context, "adequate" probably means self-sufficient -- the bare minimum for a happy existence in Dorus’s eyes. 229. Dorus arranged BVG 92, 3/7/1877. In his letter to Uncle Cor, Vincent suggested that he thought the original idea for the visit came from Uncle Cor himself (JLB 107, 3/8/1877). This strikes us as consistent with Dorus's defensive strategy of trying not to appear to intervene in Vincent's life -- especially when, as here, he was undoubtedly doing so.

Context:
JLB 106, 3/8/1877: "Today I received a long letter from home in which Pa asked me if it would suit us both to go to Amsterdam next Sunday [March 18], to visit Uncle Cor. ...We ought to do it, Pa seems very keen on the idea."

230. safety net of relatives b2515 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/17/1877: This is clearly the import of Anna's comment to Theo: "We're happy that Vincent will join you [in Amsterdam] tomorrow, for his sake too. It will do him good to see so many faces again." 231. commandant "Johannes Van Gogh, Biographical Details," n.p.: Johannes van Gogh served as commandant of the navy in Amsterdam from 1877 to 1879. 232. Vincent wrote to Uncle CorIn a personal correspondence with the authors, Jansen notes that the truculent letter Vincent wrote to Uncle Cor cited in the text (JLB 107, 3/8/1877) may never have been sent since it remained in Theo's estate. 233. vaguely apologizing BVG 87a, 3/8/1877. This apology and "admission" come cloaked in tortured ambiguity, suggesting that Vincent was trying to appear to apologize without actually apologizing -- a semantic trick that he would try often. Nothing about this sentence is clear -- probably intentionally. By “the work over there,” was Vincent referring to his job at Goupil or his evangelical work? We believe he wanted Uncle Cor to think he was referring to the former while, in his heart, Vincent knew he was referring to the latter. This allowed him to write the sentence with a clear conscience. Although, as Jansen points out, this letter may not have been sent since it remained in Theo’s estate (see Ch. 9, n. 232), whether or not it was sent does not affect our account.

Context:
JLB 107, 3/8/1877: "I'm happy to be back in Holland, only I loved the work over there -- even with all the trouble and deep disappointment connected with it -- and continue to do so, and the disappointment and, for once, relative failure make me deeply attached to it"

234. "relative failures" BVG 87a, 3/8/1877. (See Ch. 9, n. 233.)

Context:
BVG 87a, 3/8/1877: "I like being in Holland again, although the work across the Channel, notwithstanding all the trouble and profound disappointment, was dear to me. It is still -- because of the disappointment and relative failure this time, I am deeply attached to it."
JLB 107, 3/8/1877: "I'm happy to be back in Holland, only I loved the work over there -- even with all the trouble and deep disappointment connected with it -- and continue to do so, and the disappointment and, for once, relative failure make me deeply attached to it."

235. inquiring about a position BVG 87a, 3/8/1877: Vincent was especially circumspect on the subject of a job – an indication, perhaps, of his resistance to the whole project. He raised it only indirectly by congratulating his sister Anna, just recently-returned from England, who had found a position rather quickly in Utrecht (b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877), perhaps with Uncle Cor's help. "It's wonderful that Anna has found another situation straightaway," Vincent wrote (JLB 107, 3/8/1877). Dorus's letters, however, leave no doubt that the visit to Cor was a job interview. Dorus wanted Vincent to demonstrate to Cor that his attitude had improved since the debacle in Paris. Uncle Cor may have demanded this before he would consider offering Vincent employment. 236. outburst of consolation BVG 92, 3/7/1877. Apparently, Vincent spent the night of March 17 – the night before his meeting with Uncle Cor -- in The Hague with Theo, capping off his months-long campaign of consolation with a final burst of fraternal and religious fever.

Context:
JLB 106, 3/8/1877: "God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation also make a way to escape. Let none of these things move thee." (1 Corinthians 10:13.)

237. clandestine meetingsb2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877. Theo visited Vincent in Dordrecht at least twice, once before January 21 (JLB 101, 1/21/1877), and once on February 25 (JLB 103, 2/26/1877). There are no references to these visits in the surviving family letters. A passage in a letter from Anna to Theo from late February, written only days after the second visit, suggests that one or both of these visits were unknown to the parents: "We are receiving good letters from Vincent; quite content, he will be so happy if you go visit him sometime" (b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877). 238. undying brotherhood BVG 85, 2/7/1877-2/8/1877: Vincent clothes these pledges of fraternal devotion in the raiment of religion (yet another example of how religion and family were inextricably bound in Vincent's imagination). In this respect, Vincent was just following the parsonage custom of conflating family love with religious devotion. The best example is Dorus's regular prayer, as recalled by Vincent: "O Lord, join us intimately to one another and let our love for Thee make that bond ever stronger" (JLB 113, 4/30/1877; also see JLB 114, 5/19/1877). An unmistakable echo of that childhood prayer can be heard in Vincent's fraternal pledge in October of 1876: "God make us brothers more and more and join us intimately to one another" (JLB 92, 10/3/1876).

Context:
JLB 102, 2/7/1877-2/8/1877: "Nothing shall separate us from the Love of Christ, neither things present, nor things to come."

239. "to become a Christian" BVG 89, 3/22/1877.

Context:
BVG 89, 3/22/1877: "It is my fervent prayer and desire that the spirit of my father and grandfather may rest upon me, that it may be given me to become a Christian and a Christian labourer, and that my life may resemble more and more the lives of those named above; for behold, the old wine is good, and I do not desire a new one."
JLB 109, 3/23/1877: "It is my prayer and deepest desire that the spirit of my Father and Grandfather may rest upon me, and that it may be given me to be a Christian and a Christian labourer, that my life may resemble that of them whom I name -- the more, the better -- for behold, that old wine is good and I desire not the new."

240. contentious meeting BVG 132, 8/1/1879-8/15/1879. Vincent's later recollection of the meeting, while it has to be discounted for the bitter feelings left by the subsequent debacle, acknowledges that contrary opinions were expressed -- and strongly, too: "[T]he pros and cons were weighed, considered and deliberated upon, reasoned with wisdom, how it was well meant -- and yet how pitiful the result, how daft the whole business, how grossly stupid. I still shudder at the thought." (JLB 154, 8/11/1879-8/14/1879.) In this later account (1879), Vincent did not distinguish between the meeting with Uncle Cor on March 18 and the one with both uncles on March 19. Thus, when he wrote to Theo, "You were there yourself, and so you know," he seemed to indicate that Theo witnessed both meetings, when, in fact, he was present only for the first one (ibid.). We believe Vincent was just conflating the two meetings, both in retrospect and in rancor. In fact, Dorus had schemed unsuccessfully for Theo to join the first meeting with Uncle Cor, convinced no doubt that he would act as a buffer for his volatile brother (JLB 106, 3/8/1877; see also b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877).

The timing of Vincent's visit to his uncle was partly determined by Theo's spring sales tour for Goupil, of which Amsterdam appears to have been the first stop. "I hope you have lots of success on your journey." Dorus wrote to Theo on March 17 ([b2514 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/17/1877). A week later, he wrote again: "We are longing to receive a letter from you and to find out where you are“ (b2518 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 3/24/1877). Ever since Vincent moved to Dordrecht, his parents had been encouraging Theo to visit him there. "[Vincent] will be so happy if you go visit him sometime,” Anna wrote in late February (b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877). The parents clearly believed that Theo had a calming, stabilizing influence on his older brother. When the possibility of Vincent working in Dordrecht was first broached, Dorus wrote Theo: "I would so much like to have [Vincent] closer, also nearer to you" (b2804 V/1982, ''Gogh, Theodorus en Anna C. van'' to ''Gogh, Theo van'', 12/31/1876).
241. by surpriseThe possibility of a visit to Uncle Stricker was definitely not mentioned in any of Dorus's correspondence leading up to the Amsterdam trip. Only the visit to Uncle Cor was mentioned. In all the correspondence, including Vincent’s, no word of a detour to Stricker appears until after the fact. Also, if the meeting had been planned in advance, it probably would have been arranged so that Theo could participate. The fact that he left Amsterdam the night before the meeting suggests that he knew nthing about it. Even if the meeting did not come as a surprise to the other participants, they clearly did not instigate it. 242. visit to another uncle BVG 89, 3/22/1877. Dr. Johannes Paulus Stricker was married to Vincent's eldest Carbentus aunt, Willemina.

Context:
JLB 109, 3/23/1877: "In the morning I went with Uncle Cor to see Uncle Stricker, where we had a long talk about you-know-what. In the evening at half past six Uncle Cor brought me to the station ..."

243. discouragements Hulsker, Vincent and Theo, p. 52: Hulsker speculates that Stricker must have told Vincent that, having been at secondary school for less than two years, he would have to endure at least seven more years of study to pursue a religious vocation. He would also have to pass a state examination that would require a working knowledge of both Latin and Greek, which he did not have. In any event, Vincent's later summary of the meeting made it clear that he did not get the support from Reverend Stricker that he had hoped (JLB 154, 8/11/1879-8/14/1879). 244. left Amsterdam BVG 89, 3/22/1877: Uncle Cor took Vincent to the train station following his meeting with Uncle Stricker.

Context:
JLB 109, 3/23/1877: "In the morning I went with Uncle Cor to see Uncle Stricker, where we had a long talk about you-know-what. In the evening at half past six Uncle Cor brought me to the station ..."

245. eager anticipation b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877. The letter that Vincent wrote only three days after his return from Amsterdam shows a level of delusional excitement completely unrelated to the events that had just transpired (JLB 109, 3/23/1877). This disjunction can be seen most clearly in the contrast between Vincent's comment, "I know that [Pa's] heart is burning within him that something might happen so that I could give myself over not only almost but altogether to following Him" (ibid.), and Dorus’s almost simultaneous observation, "[Vincent] still thinks of becoming a reverend, but I wonder if he can do it ... I wish he would stay with his present work." (b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877.) 246. "It is my fervent" BVG 89, 3/22/1877.

Context:
JLB 109, 3/23/1877: "It is my prayer and deepest desire that the spirit of my Father and Grandfather may rest upon me."

247. "If I one day" BVG 99, 5/31/1877.

Context:
JLB 118, 5/31/1877: "If I may become a clergyman, if I fulfil that position so that my work is equal to that of our Father, then I shall thank God."

150 248. disengagement from the worldKempis, pp. 148-150: "I wish to rise over and above all things,” Kempis wrote, and instructed his disciples to “withdraw from your acquaintances and close friends, and keep your mind detached from all worldly comfort" (Kempis, p. 160). 249. unpronounceable nameTo all but Dutch speakers, the correct pronunciation of Vincent's last name was (and is) difficult to master, primarily because of the close proximity of the two "g's" on either side of the long "o." The "g's" are both produced in the throat. Exactly where in the throat varies from one part of Holland to another. In the rural south, where Vincent was raised, the "g" clears the throat in a phlegmmy froth of bubbles no more gutteral than the purr of a (large) cat. On the coast and particularly in Amsterdam, both g's erupt from deep in the gullet, almost from the chest, expelled like foreign objects in a gagging reflex. In any form, the name defeated almost all who attempted it. A friend in Arles in 1888 later recalled that when Vincent said his name, it came out as "a sound seemingly half-consumed by snores" (Milliet, quoted in Weiller, p. 109). Theo never cared and blithely accepted the various manglings of French, German, English, and Scandinavian acquaintances. Vincent, however, could not allow himself to yield even on this. Rather than hear his name mispronounced, he went through much of his adult life known, even to friends, by only one name: "Vincent." 250. "idolatrous"BVG 45, 11/15/1875: We have slightly altered the translation.

Context:
BVG 45, 11/15/1875: "He [Gladwell] had never left the paternal home. Because of this never having left, he has a tendency toward morbid regret (however noble) of his father and his house. He sighed after them, as it is not permitted to sigh after God and heaven. This idolatry is not love."
JLB 58, 11/15/1875: "He [Gladwell] had never been away from home and, although he didn't let it show, he had an unwholesome (though noble) yearning for his father and his home. He yearned with a yearning that belongs to God and heaven. Idolatry is not love."

251. admiration for his own father Nagera, p. 28: Nagera observes that in 1876: "[Vincent] starts to refer frequently to his father in an increasingly idealized and admiring way that points to an increase of conflicts around him and the mechanisms used to cope with it." 252. "We would have" BVG 37, 9/12/1875: Vincent expressed his feeling of inferiority to his father on a number of occasions. "The way is narrow, so we must be careful. You know how others have arrived where we wish to go; let us take that simple path as well." (JLB 50, 9/25/1875.) "You'll often feel that neither I nor Anna are what we hope to become, and that we're still a long way from Pa and others" (JLB 56, 10/14/1875).

Context:
JLB 47, 9/12/1875: "Shouldn't it then be our ambition and hope to become men like Pa ..."

253. "wings" of faith BVG 37, 9/12/1875. While still in Paris, Vincent quotes the last two lines from the second stanza of the poem "Flügel! Flügel! um zu fliegen" (Wings! Wings! to fly) from Liebesfrühling by Friedrich Rückert:

Flügel, übers Meer zu schweben
Mit dem Morgenrot,
Flügel, Flügel übers Leben!
Über Grab und Tod!"

[Wings, to float across the ocean
with the rosy dawn;
wings, wings to glide above life!
To glide above the grave and death!]

(Vincent inserts an additional "Flügel" [wings] at the beginning of the fourth line). After opening JLB 47, 9/12/1875 with this couplet, Vincent writes: "That's what we need, and I'm beginning to see that we can acquire them [wings]. Doesn't Pa have them, for instance? And you know how he got them, through prayer and the fruits thereof: patience and faith, and through the Bible, which was a light unto his path and a lamp unto his feet." The Rückert poem was set to music by Robert Schumann (op. 37, no.8). Other verses of the poem are interesting in light of Vincent's obsessions, both at the time and later:

[6] Ah! From the shores of exile,
where no boats beckon,
Wings, wings to the homeland,
where my crown flashes!"
and [8]"Often at silent midnight
I feel myself rising
with wings of dreamlike power
to the starry gate. (English translation of the last two stanzas by Emily Ezust.)

Context:
BVG 37, 9/12/1875:
Flügel, Flügel über's Leben!
Flügel über Grab und Tod!
[Wings to glide above life!
Wings to glide above the grave and death!]
JLB 47, 9/12/1875:
Flügel, Flügel über's Leben!
Flügel über Grab und Tod!"
[Wings, wings above life!
Wings over the grave and death!]

254. to be made his BVG 81, 11/17/1876-11/18/1876. Throughout his wanderings in England, Vincent clung to a line from the sermon Dorus had given on the day of his departure, as if it were a promise: "[W]hat you are now, I used to be: what I am now, you will one day be" (JLB 87, 8/2/1876). In Dorus’s sermon, the context was an angel speaking to faithful mortals about their future in heaven. But in Vincent's account, his father took on "a countenance like that of an angel" when he spoke this verse, and Vincent heard in his father’s words a more personal message: that Vincent would follow in his (Dorus’s) footsteps as a parson. JLB sees in the passage an adaptation of Acts 26:29: “And Paul said, I would to God, that not only thou, but also all that hear me this day, were both almost, and altogether such as I am, except these bonds” (JLB 98, 11/17/1876-11/18/1876, n. 20). In another letter, Vincent re-cast the memory of his father's tearful return to the Provily school in Zevenbergen -- "I flung my arms round Father's neck" [JLB 90, 9/2/1876 and 9/8/1876] -- using the same terms as Paul did in Acts 20:37: "They all wept sore, and fell on Paul's neck, and kissed him." Vincent invoked this passage in a different letter around the same time (JLB 87, 8/2/1876). The same image and language is used in Luke's version of the Prodigal Son's return: "his father saw him, and had compassion, and ran, and fell on his neck, and kissed him" (Luke 15:20). At the Gladwell funeral in London, the kiss of a father (not even his own) had magical healing power for Vincent (JLB 84, 6/17/1876; see Chapter 8).

Context:
JLB 98, 11/17/1876-11/18/1876: "Lord, oh if Thou would only make me, not only almost but altogether, as it were, my Father's brother ..."

255. make frequent Sunday tripsb2804 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 12/31/1876. Dorus wrote to Theo: "I would love so much to have [Vincent] closer to me. … A return ticket is only fl 1.70. So once in a while he could come visit us once in a while on a Sunday. Let us hope his eyes appear a lot clearer, I believe." We assume that Dorus conveyed the same message to Vincent that he did here to Theo. His effort to support Vincent in his new life was genuine. In February, the family shifted the celebration of Pa's birthday, his fifty-fifth, to a Sunday so Vincent could attend. Dorus's birthday was February 8. The family celebrated it on Sunday, February 11: "We will celebrate my birthday on Sunday the 11th,” Dorus wrote, “so that Vincent may be with us" (b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877). 256. already planning BVG 84, 1/21/1877.

Context:
JLB 101, 1/21/1877: "I hope to go to Etten on 11 February."

257. "He spent such" b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. 258. stopped in Dordrechtb2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877. There is a curious comment from Dorus about the prospect of visiting Vincent in Dordrecht. "Oh! We are so very happy that he won't be crossing the sea anymore and that we have him a little closer to home," he wrote soon after Vincent started work. "I would like to go and see him sometime, but I don't know if that would be right" (b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877; emphasis added). We think this probably refers to the fact that Vincent would have to take off work if his father visited (since he could not visit on a Sunday). In fact, Dorus did eventually visit on a weekday and Vincent did take off work. ("He was already waiting for me at the railway station and he got time off from work for as long as I was there" [b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877].) 259. on a tripb2505 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 2/7/1877. Dorus went to The Hague to officiate at the wedding of a relative on February 14. He left on February 13 and returned on February 16. While in The Hague, he spent a great deal of time with Theo ("wonderful how you were with Father all the time,” Anna wrote [b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877]), he visited the Mauves and the Haanebeeks, and stayed with Theo at the Rooses (ibid.). 260. four breathless hoursb2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. Dorus reported: "I was with Vincent from 2 till 6." Dorus visited on Friday, February 16. "[Vincent] was already waiting for me at the railway station and he got time off from work for as long as I was there." 261. "glorious" winter dayBVG 87a, 3/8/1877. Both Vincent and Dorus commented on what a “wonderful day” it was (JLB 107, 3/8/1877). "It was really nice there; Dord[rech]t is definitely beautiful" (b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877).

Context:
BVG 87a, 3/8/1877: "It was a glorious day when Pa was here recently; we took a walk together, and also went to the museum to see the pictures by Scheffer."
JLB 107, 3/8/1877: "It was a wonderful day when Pa was here recently; we took a walk together and also went to the museum to see the paintings by Scheffer."

262. drank beer with himb2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. According to Dorus’s accounting, father and son also had "steak with potatoes" for a total bill of Fl. 1.90. 263. showed him his room b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. 264. Christus ConsolatorBVG 87a, 3/8/1877. Dorus complimented the works by Scheffer (probably echoing Vincent's commentary): "We also visited the museum with paintings by Ary Scheffer -- very beautiful indeed" (b2507 V/1982, ''Gogh, Theodorus en Anna C. van'' to ''Gogh, Theo van'', 2/19/1877). 265. "he was so much" b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. 266. probably urged himb2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877. Only a few weeks before his visit to Vincent in Dordrecht, Dorus had written Theo: "[Vincent's] state of mind appears to be unchanged. I hope to be able to see him when I go to The Hague." This reference to Vincent's ambitions suggests both that Dorus had already tried to dissuade Vincent from his religious course and that he hoped, in the forthcoming visit, he might have a chance to make his arguments again. 151 267. "He better not"b2502 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/19/1877. 268. "He is such"b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877. This comes from Dorus's report of the trip to Theo. It is inconceivable that Dorus did not convey the same message to Vincent, given the Van Gogh tendency to accentuate the positive, and his eagerness to salvage his eldest son's career and life. A few weeks after his visit, Dorus rode through Dordrecht on the train, but did not stop. He wrote with what appears to be genuine fondness about his brief time with Vincent: "I could still imagine him standing there with that friendly expression on his face" (b2510 V/1982, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 3/7/1877). This was just about the last unalloyed positive thought Dorus had about Vincent – or at least the last one on record. He tried at this time to loan Vincent some money, but Vincent, ever prideful and obsessed with the money he had cost his parents, refused to take it. "I tried my best to slip Vincent some money," Dorus reported to Theo, "but he simply won't hear of it" (b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877). 269. vision of reconciliationNagera discusses this vision in the psychoanalytic language of identification (Nagera, pp. 38-42). Nagera’s theoretical framework -- and the concept of identification in particular -- is squarely grounded in Freudian theory: “[O]ne of [Vincent’s] unconscious motives for becoming a parson ... is the wish to take his father's place, a wish that carried deep unconscious implications in terms of his oedipus complex, namely the phantasy of taking his father's place in the relationship to his mother” (Nagera, p. 38). 270. He took up again Brusse, in Van Gogh, Vincent, p. 113: Vincent gave his roommate Görlitz a copy of Michelet's L'oiseau (The Bird) when he left Dordrecht. 271. first starling BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "Pa wrote that he had already seen starlings, do you remember how they used to sit on the church at Zundert?"

272. the first stork BVG 88, 3/16/1877.

Context:
JLB 108, 3/16/1877: "There are storks here already, but I haven't heard any larks yet. It's often stormy, and then one sees swarms of crows and starlings."

273. the first lark BVG 88, 3/16/1877.

Context:
JLB 108, 3/16/1877: "There are storks here already, but I haven't heard any larks yet. It's often stormy, and then one sees swarms of crows and starlings."

274. especially the ivy vines BVG 84, 1/21/1877.

Context:
JLB 101, 1/21/1877: "The window of my room looks out over gardens with pine trees and poplars etc. and the back of old houses, including a large one covered with ivy, 'a strange old plant is the ivy green.'"

275. Dorus's responsibility Kools, p. 20: “As was customary at the time,” Kools reports, “ the man of the house took care of the trees and the vines.” 276. favorite poetry JLB 104, 2/28/1877; n. 10: "The last four lines -- evidently added to Mr. van Gogh's version -- are a compilation of the 1st, 14th and final verses of the poem 'Peinzensmoede' (Tired of thinking). They read as follows:

There is no priest
Who can explain Him!
Man wanders the earth
In mysterious dim.
After fire and storm
I, too, sometimes soared
Although no Elijah --
Past the Lord ...
There is no priest
Who can explain,
But no one seeks you
On earth in vain.

(Daar is geen Priester
Die Hem verklaart!
In raadslen wandelt
De mensch op aard.
Na vuur en stormwind
Zweefde ook soms mij --
Schoon geen Elia --
De Heer voorbij ...
Daar is geen Priester
Die U verklaart,
Doch U zoekt niemand
Vergeefs op aard.)"

Context:
JLB 104, 2/28/1877: "You have of course a De Génestet. Do read it much and often. Pa sent me this once when I was in Paris: When I was a lad. ... There is no Priest who can explain / Him."

277. Mater Dolorosa BVG 88, 3/16/1877. Theo had sent Vincent a print based on a painting by Paul Delaroche depicting Mary weeping at the foot of the cross (illus., Bailey, Van Gogh in England, p. 34) and Vincent hung it in his room.

Context:
JLB 108, 3/16/1877: "The photograph of Mater Dolorosa that you sent is hanging in my room, how beautiful it is. Do you remember it hanging in Pa's study at Zundert?"

278. father's study BVG 88, 3/16/1877. (See Ch. 9, n. 277.)

Context:
JLB 108, 3/16/1877: "The photograph of Mater Dolorosa that you sent is hanging in my room, how beautiful it is. Do you remember it hanging in Pa's study at Zundert?"

279. "Let us not" BVG 90, 3/15/1877-3/31/1877.

Context:
BVG 90, 3/15/1877-3/31/1877: "It is an old truth that the love between brothers is a strong support through life: let us seek that support. May experience strengthen the bond between us, let us be true and outspoken toward each other, and let us not have any secrets -- just as it is now."
JLB 111, 4/15/1877: "The love between brothers is a great support in life, that is an age-old truth, let us seek that support, let the fire of love between us not be extinguished, but let instead the experience of life make that bond ever stronger, let us remain upright and candid with each other, let there be no secrets -- as things stand today."

280. "is fine gold" BVG 90, 3/15/1877-3/31/1877. We have combined elements from both translations.

Context:
BVG 90, 3/15/1877-3/31/1877: "I believe that Father loves you more than she does -- that his love is more valuable; it is pure gold."
JLB 111, 4/15/1877: "Father loves you more than she does -- that his love is worth more -- these words are 'fine gold.'"

281. "For who is dearer" BVG 90, 3/15/1877-3/31/1877. Bonger translates the passage of poetry Vincent quotes slightly differently:

The child puts great faith in his Father
As befits the father's worth.
For who is closer than thy Father, is he nearer
In Heaven or on earth?

But Vincent was surely speaking of a proximity more emotional than spatial.

Context:
BVG 90, 3/15/1877-3/31/1877:
The child puts his faith in his father,
The father is worthy of faith,
For who is nearer than the father,
In the kingdom of God or on Earth.
JLB 111, 4/15/1877:
The child puts great faith in his Father
As befits the father's worth.
For who is closer than thy Father, is he nearer
In Heaven or on earth?

282. To celebrate Sund, p. 26: Sund makes the very good point that, in fact, Eliot's view of the clerical life was anything but celebratory. "English clerical life as described by Eliot is difficult, dreary, and often disappointing." As discussed in the text, Vincent was as capable of ignoring Eliot's true view of clerical life as he was of ignoring his father's true view of his ambition to become a parson. More unaccountably, his parents also enjoyed Eliot's portrait of clerical life. Dorus described Adam Bede as "wonderful" (b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877), and Anna referred to Scenes of a Clerical Life as "beautiful" (b2509 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/27/1877). A hint of the solution to this puzzle may lie in Anna's summary of Scenes of a Clerical Life as "the adventures of a Reverend" (ibid.). 283. gave his father BVG 84, 1/21/1877. One cannot escape the possibility that Vincent gave Scenes of a Clerical Life to his father fully aware of the parallels between Theo and Edward Tryan, the clergyman in "Janet's Repentance," the third of the book’s trilogy of stories (the one that Vincent liked best). Tryan's "original sin" in his youth was to have seduced an innocent girl who then poisoned herself. Since Tryan turns his sin to good purpose, the story could be read as supportive of Theo: that is, Vincent could have been telling his father that Theo's affair did not represent the end of his moral life. However, Vincent may also have been taking advantage (consciously or unconsciously) of a rare opportunity to assert his moral superiority over his favored brother. It may bear on this issue that Dorus took Scenes of a Clerical Life with him to The Hague soon after his birthday and lent it to Theo to read (b2508 V/1982, "Gogh, Anna van" to "Gogh, Theo van", 2/19/1877).

Context:
JLB 101, 1/21/1877: "I hope to give Pa Eliot's 'Novellen' (a translation of Scenes from clerical life), if we were to give something together we could give him Adam Bede as well."

284. arranged for Theo BVG 84, 1/21/1877. Vincent proposed to Theo that they give the two books jointly as a present: "I hope to give Pa Eliot's 'Novellen' (a translation of Scenes of a Clerical Life), if we were to give something together we could give him Adam Bede as well" (JLB 101, 1/21/1877). In the doing, however, Dorus attributed one book to each son: "And what a beautiful book you gave to me on my birthday; I find that Adam Bede to be a wonderful possession" (b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877). 285. would never advance Brusse, in Van Gogh, Vincent, p. 109: "'I want to be a shepherd like my father,' [Vincent] would say to me sometimes. 'But my dear boy,' I once warned him, 'don't you think it's too bad that after so many years your father has not been able to get anything better than Etten and De Leur?'" Braat's ungenerous assessment of Dorus van Gogh bears a striking resemblance to the opinion of H. G. Tersteeg, as recorded by his son, Johan (Tralbaut, p. 100). The similarity suggests that this may have been an opinion of Vincent's father widely shared in Cent's Goupil circle -- and, perhaps, their explanation for the coarse and strange behavior of Dorus’s son Vincent. 286. "This was the only" Brusse, in Van Gogh, Vincent, p. 109. 287. long clergyman's coat BVG 315, 8/20/1883-8/21/1883: Vincent gave no hint of a date when he recorded this memory five years later.

Context:
JLB 377, 8/20/1883: "Theo, do you remember the days when I went round in a long minister's coat of Pa's &c.?"

288. "As far as one" BVG 89, 3/22/1877.

Context:
JLB 109, 3/23/1877: "In our family, which is indeed a Christian family in the full sense of the word, there has always been a minister of the gospel as far back as one can see, from generation to generation."

289. "called to that service" BVG 89, 3/22/1877.

Context:
BVG 89, 3/22/1877: "Why shouldn't a member of that family feel himself called to that service now, and why shouldn't he have reason to believe that he may and must declare his intentions and look for the means to reach that goal?"
JLB 109, 3/23/1877: "Why should a member of that family not now feel himself called to that office and think, with some reason, that he can and must declare himself and seek the means to achieve that goal?"

290. "my life may resemble" BVG 89, 3/22/1877.

Context:
BVG 89, 3/22/1877: "It is my fervent prayer and desire that the spirit of my father and grandfather may rest upon me, that it may be given me to become a Christian and a Christian labourer, and that my life may resemble more and more the lives of those named above; for behold, the old wine is good, and I do not desire a new one."
JLB 109, 3/23/1877: "It is my prayer and deepest desire that the spirit of my Father and Grandfather may rest upon me, and that it may be given me to be a Christian and a Christian labourer, that my life may resemble that of them whom I name -- the more, the better -- for behold, that old wine is good and I desire not the new."

291. clear contrary signals Stokvis, p. 19. We do not credit the account recorded by Stokvis of a sexton at the Zundert church named "A. de Graaf": "Rev. Van Gogh every now and then expressed to De Graaf that there 'was such an extraordinary spirit in Vincent,' and that he [i.e., Dorus] would have liked to train him to be a clergyman." Even looking past the gloss of hagiography that pervades Stokvis in general and De Graaf's account in particular, we believe whatever veracity there is to this memory relates to Vincent's time in Zundert. If, indeed, Dorus ever expected that Vincent would become a preacher, he had long since been forced by events to give up that expectation. 292. "I know his heart" BVG 89, 3/22/1877.

Context:
JLB 109, 3/23/1877: "I know that his heart is burning within him that something might happen so that I could give myself over not only almost but altogether to following Him, Pa always hoped I would do so ..."

293. "I wish he would" b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877. After the meeting with his uncles Cor and Stricker in Amsterdam, Vincent wrote his parents to express his new determination to become a preacher-pastor like his father. Dorus's reaction, recorded in a letter to Theo written immediately after receiving Vincent's letter, leaves no doubt about his true feelings on the matter: "Vincent wrote us with delight about the both of you being together. He still thinks of becoming a reverend, but I wonder if he can do it." (b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877.) 294. sheer contrarinessHulsker, Vincent and Theo, pp. 60-61. "It is as if he chooses on purpose what leads to difficulties," Dorus later lamented (b0968 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 3/2/1878). Vincent’s "delusion" about his father's wish for him to become a preacher may have been the result of a perception that while his father doubted his ability to persevere in the necessary training, deep down he really wanted Vincent to succeed him in the ministry. In this, he may not have been wrong. However, for Vincent truly to hold that perception was to admit – indeed, insist on -- his father's lack of confidence in him. The true delusion was Vincent’s apparently sincere belief that he could succeed in his clerical studies, thereby proving his father wrong. But this was merely an adjunct to the larger, lifelong delusion that he could win back his father's respect, or even love. 295. prominent Dordrecht preacherBrusse, in Van Gogh, Vincent, p. 108. The clergyman whom Vincent consulted was Dr. Keller van Hoorn, who preached at the Grote Kerk in Dordrecht. According to Braat, Vincent asked for his advice and "Mr. Van Hoorn wanted to show him the way to become a missionary, but Vincent did not care for this idea at all ... the clergyman thought the preliminary study too hard for him. Not that he lacked the energy -- but it was a fact that he had never been to a grammar school." (ibid.) (This was the same thing his father had been telling him, and perhaps Uncle Stricker as well.) The exchange with Van Hoorn probably occurred late in Vincent's stay in Dordrecht. He mentions the minister twice in letters from late April: once when he heard a "very beautiful sermon by the Rev. Keller van Hoorn" (JLB 112, 4/22/1877-4/23/1877); and again the following Sunday when he heard another sermon on the apropos subject "Our Father" (JLB 113, 4/30/1877). 296. "I want to be" Brusse, in Van Gogh, Vincent, p. 109. 297. "Oh! Theo" BVG 92, 3/7/1877.

Context:
JLB 106, 3/8/1877: "O Theo, Theo, old boy, if only it might happen to me ..."

152 298. "I hope and believe" BVG 88, 3/16/1877.

Context:
JLB 108, 3/16/1877: "I believe and trust that my life will still be changed, and that that longing for Him will be satisfied."

299. "persevere in this course" BVG 92, 3/7/1877.

Context:
BVG 92, 3/7/1877: "… if there might be given to me both the opportunity and the strength needed to come to full development and to persevere in that course for which my father and I would thank the Lord so fervently."
JLB 106, 3/8/1877: "… if I might be given the opportunity and the strength and the love required to develop and to persevere and to stand firm in that for which my Father and I would offer the Lord such heartfelt thanks."

300. "heavy depression" BVG 92, 3/7/1877.

Context:
BVG 92, 3/7/1877: "Oh! Theo, Theo boy, if I might only succeed in this, if that heavy depression because everything I undertook failed, that torrent of reproaches which I have heard and felt, if it might be taken from me ..."
JLB 106, 3/8/1877: "O Theo, Theo, old boy, if only it might happen to me and that deluge of downcastness about everything which I undertook and failed at, that torrent of reproaches I've heard and felt, if it might be taken away from me ..."

301. reproaches BVG 92, 3/7/1877. (See Ch. 9, n. 300.)

Context:
JLB 106, 3/8/1877: "O Theo, Theo, old boy, if only it might happen to me and that deluge of downcastness about everything which I undertook and failed at, that torrent of reproaches I've heard and felt, if it might be taken away from me ..."

302. "[both] my father and I" BVG 92, 3/7/1877. (See Ch. 9, n. 299.)

Context:
BVG 92, 3/7/1877: "[I]f there might be given to me both the opportunity and the strength needed to come to full development and to persevere in that course for which my father and I would thank the Lord so fervently."
JLB 106, 3/8/1877: "[I]f I might be given the opportunity and the strength and the love required to develop and to persevere and to stand firm in that for which my Father and I would offer the Lord such heartfelt thanks."

303. letter from home"Yesterday morning I got a letter from Pa in which Pa wrote that Aertsen was dying and how Pa had been there again, as he wished to see and speak to Pa again" (JLB 110, 4/8/1877). This letter from Dorus to Vincent does not survive, but Dorus wrote a similar letter to Theo at the same time, the contents of which closely track Vincent's description of the letter he received: "On Monday [April] 2nd your mother and I went with the carriage to Aertzen [sic] in Rijsbergen who is dying. He asked for me." (b2519 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/6/1877.) 304. farmer in ZundertThe ailing farmer was named Jan Aertsen. A former churchwarden, Aertsen had been farming since 1833 in Rijsbergen, a small town about four miles north of Zundert that belonged to Dorus van Gogh's parsonage (ibid., p. 20). Aertsen had a rocky history with the Welfare Society (Society for Prosperity) and Dorus helped him through many difficulties and tragedies after arriving in 1851. (See ibid., pp. 52-55.) By the time Dorus left Zundert in 1871, Aertsen was one of the few "success stories" he could point to (ibid., pp. 55, 57). The two men clearly forged a close bond, although, because of class differences, probably not a friendship in the modern sense. 305. "He asked for me" b2519 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/6/1877. (See Ch. 9, n. 303.) 306. As soon as he read BVG 91, 4/8/1877: According to Vincent's letter, he received his father’s news about Aertsen on Saturday, April 7 (see Ch. 9, n. 303), and left the same day.

Context:
JLB 110, 4/8/1877: "Yesterday morning I got a letter from Pa in which Pa wrote that Aertsen was dying and how Pa had been there again, as he wished to see and speak to Pa again. When I heard that, my heart was drawn to Zundert so strongly that I felt the need to go there again."
307. borrow money Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 331-332. Görlitz makes much of this loan. He quotes Vincent as saying, "I cannot pay for the trip to Breda, I don't have any money left; do you think it is crazy, G[örlitz] to lend me money for that kind of a reason, and I don't dare to ask our landlady." Görlitz recalled answering: "Crazy, v[an] G[ogh], not at all, but I don't have all of it, here is some, and the rest will come from the boss, I will put it on my account, then we will become even on the Day of Atonement." 308. "I love that man" Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 331-332. 309. "O Zundert!" BVG 75, 10/3/1876. It is interesting to note that Vincent’s father shared this burning nostalgia for Zundert. Indeed, Dorus’s nostalgia may have reinforced Vincent's during their brief rapprochement after Christmas 1876. Dorus listed proximity to Zundert as one of his reasons for taking the position in Etten in 1875: "I believe that the memory of working in Zundert attracts me to Etten” (b2348 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/14/1875). Dorus referred to Zundert as “that uncomplicated beautiful area with uncomplicated people" (ibid.). Of course, Etten was also closer to Uncle Cent and the pay was considerably better than in Helvoirt (ibid.).

Context:
JLB 92, 10/3/1876: "Oh that Zundert, the thought of it's almost too much at times."

310. planned a pilgrimage BVG 75, 10/3/1876.

Context:
JLB 92, 10/3/1876: "I'm sending herewith a letter from the aunts at Zundert. You know that Aunt Bet[je] hurt herself so badly. I wrote and told them that, if possible, you and I would walk to Zundert sometime at Christmas."

311. intimacy with his fatherIt should be noted that Dorus's commerce with Zundert was particularly intense during the first few months of 1877 -- exactly the same time as his rapprochement with Vincent. In September of the previous year, Dorus had turned down an offer to return to the Zundert parsonage where his successor had died (Kools, p. 121). Thus began a long period of uncertainty as the Zundert congregation looked for a replacement. In January, one candidate sponsored by Dorus turned the position down (b2498 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 1/30/1877). Until 1878, Dorus preached regularly in his old church in Groot Zundert (Kools, p. 122). It is almost certain that Vincent knew of the position available in Zundert and may have seen the trip in April as an opportunity to prove his worthiness to fill it – surely a fantasy – even though he knew he would never be accepted without the appropriate training. Anna, for one, connected the dots, although more in regret than hope: "Zundert will always stay a sweet place," she wrote Theo several months later. "If only Vincent were ready!" (b2541 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 7/17/1877.) The family correspondence during this period is filled with references to preaching in Zundert and visiting there, including trips in January (ibid.), February (b2507 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 2/19/1877), and March (b2517 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 3/24/1877), prior to the trip to Aetsen's deathbed on April 2. 312. "The memory of old times" BVG 85, 2/7/1877-2/8/1877.

Context:
JLB 102, 2/7/1877-2/8/1877: "Memories of times past came back to me, including how often we walked with Pa ... and heard the lark above the black fields with young green wheat, the shimmering blue sky with white clouds above -- and then the paved road with the beech trees -- O Jerusalem Jerusalem! or rather O Zundert O Zundert!"

313. barely knownWe believe Vincent "appropriated" his feelings for Aertsen from his father as part of the process of identification occurring at this time. Even the language he used suggests his father's relationship with the old farmer, not any relationship that Vincent could have had with him as a young boy. (Görlitz quotes Vincent calling Aertsen "an old farmer, whom I have known for years and who was a faithful supporter of my father" [Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 331-332].) Aertsen was a very busy farmer, constantly struggling to make ends meet on his Welfare farm, beset by serious troubles, and with a huge family of his own to support (see Kools, pp. 46-47, 52, 55). His farm was located in Rijsbergen, far from the parsonage. Vincent’s mother Anna would never have allowed social visiting between the two families' children.

Vincent may or may not have visited the Aertsens in the company of his father at Christmas or at times of sickness or death (of which the Aertsens experienced a great deal). Otherwise, Vincent would only have seen the elder Aertsen at church services and functions. Although Dorus saw Aertsen many times in the intervening years and the two clearly maintained a genuine bond (see, e.g., b2370 V/1982, "Gogh, Anna C. van" to "Gogh, Theo van", 11/3/1875), there is no evidence that Vincent saw Aertsen at any time after leaving Zundert in 1869. It may or may not be significant that Vincent did not spell Aertsen's name correctly (Dorus didn't always, either).
314. had been sickb2370 V/1982, "Gogh, Anna C. van" to "Gogh, Theo van", 11/3/1875. In November 1875, Anna wrote to Theo: "That poor Aarssen [sic] is suffering so much ..." Seven months later, Dorus wrote: "Aertsen is getting worse. I went over there this week because he had asked for me, the poor fellow." (b2753 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 6/17/1876.) In October, Dorus wrote about the old farmer again: "I visited Aertzen at his bedside, and thought how much these people are missing because they lack the thing that comforts us. The good man is having a hard time." (b2776 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 10/2/1876.) Dorus continued to keep Theo (and Vincent) abreast of Aertsen's declining health. Three weeks before his flight to Zundert, Vincent wrote to Theo: "What a hard life the farmers in Brabant have; Aarssen, for example, where does their strength come from?" (JLB 108, 3/16/1877). 153 315. "My heart was drawn" BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "… my heart was drawn to Zundert so strongly that I felt the need to go there again."

316. took the train BVG 91, 4/8/1877. Görlitz recalled Vincent saying, "I cannot pay for the trip to Breda" (Görlitz, in Van Gogh-Bonger with Deel and Druk, pp. 331-332). If this recollection is correct, then Vincent must have first considered traveling to Breda. But the last train to Breda may have already left or he did not want to wait for a later train. The train that stopped in Oudenbosch would have had Roosendaal as its destination, not Breda. Oudenbosch and Breda are roughly equidistant from Zundert.

Context:
JLB 110, 4/8/1877: "On Saturday evening I left on the last train from Dordrecht to Oudenbosch and walked from there to Zundert."

317. "It was so beautiful" BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "It was so beautiful there on the heath, even though it was dark one could make out the heath and the pine-woods and the marshes stretching far and wide."

318. burnished that imageVincent described his view of the heath that night: “It reminded me of that illustration by Bodmer that’s hanging in Pa’s study" (JLB 110, 4/8/1877). The Swiss artist Karl Bodmer was affiliated with the Barbizon colony and associated with Millet. The image referred to may have been Bodmer's La Nature Chez Elle (Nature at Home), which was in Vincent's collection of prints. (See Chetham, pp. 165-166.) 319. "The sky was" BVG 91, 4/8/1877. Vincent's account of this nocturnal journey is internally inconsistent, suggesting that it was at least partly invented/imagined. He could only "make out the heath and the pine-woods and the marshes stretching far and wide" if there was at least partial moonlight. Yet he also says the night was “dark” and "grey" (in BVG “overcast”), except for the inevitable (but surely inadequate for viewing the landscape) light from “the evening star [that] shone through the clouds" (JLB 110, 4/8/1877).

Context:
JLB 110, 4/8/1877: "The sky was grey but the evening star shone through the clouds, and now and then other stars were visible too."

320. "It was very early" BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "It was still very early when I arrived at the cemetery in Zundert, where it was so quiet, I went to have a look at all the old places and paths and waited for the sun to rise."

321. sat down in the graveyard BVG 91, 4/8/1877. (See Ch. 9, n. 320.)

Context:
JLB 110, 4/8/1877: "It was still very early when I arrived at the cemetery in Zundert ..."

322. the sick man had died BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "I heard from Aertsen and Mientje, as soon as they were up, that their Father had died that night, oh, they were so sad and their hearts were so full."

323. "They were so grieved" BVG 91, 4/8/1877. (See Ch. 9, n. 322.)

Context:
JLB 110, 4/8/1877: "… they were so sad and their hearts were so full ... I was glad to be there; I sympathized with them."

324. prayed with themGörlitz, in Van Gogh-Bonger with Deel and Druk, pp. 331-332. Görlitz gave a detailed account of Vincent's return to Dordrecht after his trip to Zundert: "He came home on Sunday evening and when I asked him: 'Well, v[an] G[ogh], how did it go?' he said: 'When I arrived at the farmer it was too late, he had died a few hours earlier.' I said: 'God forgive me, Vincent, that was terrible!' but he answered: 'You express that incorrectly, G[örlitz], that was not terrible, it was a disappointment, but those have to be there to strengthen people in life; but I am glad that I was there, for I was not there in vain, I was praying with the people in the house. I will tell you what I told them: Jesus and his teachings should be for you a light on your path and a lamp for your foot, then you will learn to acquiesce.'" 325. read to them BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "From there [Zundert] I walked with Hein [Aertsen] to Rijsbergen, and was in the house around an hour and we read together."

326. dead man's familyBVG 91, 4/8/1877. Aertsen had eleven children, of whom "as many as three" died of the typhoid epidemic of 1856, along with Aertsen's wife (Kools, p. 52).

Context:
JLB 110, 4/8/1877: "Then I walked with Hein Aertsen to Etten and am now at home, leaving early tomorrow morning."

327. viewed the body Kools, p. 70. 328. presence of death BVG 82a, 9/1/1876-9/15/1876: Sometimes, Vincent found the ultimate consolation in death. "How often has the memory of one who is already departed to our Father's house where there are many mansions warmed me and made my heart glow with Love" (JLB 89, 8/26/1876). This is a logical extension of "sorrowful, yet always rejoicing": contemplating death is the happiest of all states. 329. "Oh! It was so beautiful" BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "I'll never forget that noble head lying there on the pillow; one saw, besides the signs of suffering, an expression of peace and something holy. Oh, it was so beautiful."

330. "the calmness and dignity" BVG 98, 5/30/1877.

Context:
JLB 117, 5/30/1877: "[T]he calm and seriousness and solemn stillness of death contrasted so greatly with us who were living."

331. reverie of the past BVG 91, 4/8/1877: The mourners in Zundert affirmed Vincent's fantasy by fondly recalling his father, the Reverend van Gogh.

Context:
JLB 110, 4/8/1877: "… they were all so full of praise for Pa and what Pa had always been to them, and how fond those two were of each other."

332. a gardener and a maid BVG 91, 4/8/1877: The gardener, Johannes (Jan) Doomen, had tended the Zundert parsonage's vegetable garden for Dorus. Vincent referred to him incorrectly as "Jan Doome." His last name was probably rarely used in the parsonage. Vincent's mother referred to him only as "Jan the Laborer" (b2752 V/1982, ''Gogh, Theodorus en Anna C. van'' to ''Gogh, Theo van'', 6/2/1876). The maid was Wouterina Prins, known to Vincent and his family as "Woutje" (JLB 110, 4/8/1877). She had served in the parsonage from Vincent's birth until his departure for The Hague (Kools, p. 18). Regarding the dying farmer, Aertsen, Vincent reported that Prins "sat up for 3 nights with the deceased, and had stood by him till the last" (JLB 110, 4/8/1877).

Context:
JLB 110, 4/8/1877: "The aunts send you their regards, and Jan Doome too, whom I also went to see. ... Woutje Prins had also sat up for 3 nights with the deceased, and had stood by him till the last."

333. "The memories of all BVG 98, 5/30/1877: We have omitted the emphasis in the original. (For more on Vincent’s idiosyncratic use of “it” in passages like this, see Chapter 11.)

Context:
JLB 117, 5/30/1877: "… the memory of everything we have loved remains and returns in the evening of our life. It is not dead, but sleepeth and it is good to collect a great store of it." (Emphasis in original.)

334. four miles The distance from Rijsbergen to Etten. 335. only a week after EasterIn 1877, Easter Sunday fell on April 1. 336. "You know the story" BVG 91, 4/8/1877.

Context:
JLB 110, 4/8/1877: "You know the story of the Resurrection, everything there reminded me of it in that quiet cemetery this morning."

154 337. long-standing insistence b2755 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 7/1/1876. 338. "I have such" BVG 89, 3/22/1877.

Context:
JLB 109, 3/23/1877: "I have such a great longing for that thing which you know of, but how shall I ever get it? How I wish that I, like Pa, had already done a lot of the difficult work of a Christian labourer and minister of the gospel and sower of the word."

339. "the preliminary study"Brusse, in Van Gogh, Vincent, p. 108. The clergyman who tried to dissuade Vincent with this negative assessment was Dr. Keller van Hoorn. (See Ch. 9, n. 295.) 340. "an obsession" Brusse, in Van Gogh, Vincent, p. 113. Görlitz recalled, however, that Vincent "condemned, or, better, disapproved of the fact that knowledge of Latin or Greek should be required for the ministry" (Görlitz, "Among the People," in Stein, ed., p. 42). 341. late MarchWhile Bonger dates this letter (and the visit it describes) to March, JLB date both the letter and the visit to mid-April.

Context:
JLB 111, 4/15/1877: "Mr. Görlitz is in Etten today to talk to Pa about the vacancy for a teaching post at Leur."

342. visited Etten BVG 90, 3/15/1877-3/31/1877: Görlitz came to Etten to interview for a teaching position in De Leur (or Leur), a community not far from Etten that was part of Dorus's parsonage. Vincent wrote, "I sincerely hope he'll get it [i.e., the position]" (ibid.). A week later, according to JLB’s new dating, he added, "I'd be happy for him if he got the position; then he would probably marry very soon" (JLB 112, 4/22/1877-4/23/1877) -- an odd argument given that, according to Görlitz, Vincent had adamantly discouraged him from marrying (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333).

Context:
JLB 111, 4/15/1877: "Mr. Görlitz is in Etten today to talk to Pa about the vacancy for a teaching post at Leur."

343. "How is Vincent doing" Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333. We have substituted full names for initials in Görlitz's account, as well as clarified the punctuation of the translation. 344. "Madam, to tell you"Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333. Görlitz gave several accounts of his time with Vincent, which are admirably similar. We have combined sentences from two versions of his conversation with Vincent's mother. The substance of the substituted sentences are exactly the same as the omitted sentences. (See Ch. 9, n. 345.) 345. "He has only one" Brusse, in Van Gogh, Vincent, p. 113. 346. Soon afterwardsIn his account of his visit to Vincent’s parents, Görlitz reported that “not long afterwards, and probably as a result of this conversation, V[incent] confessed to his parents that he could not stand it any longer, he fervently wanted to teach the Gospel" (Görlitz, in Van Gogh-Bonger with Deel and Druk, p. 333). Whatever the impact of the conversation with Görlitz, clearly the Van Goghs did not need for Vincent to "confess" that he wanted to preach the Gospel. This was already quite clear by Easter 1877. There does seem to have been a significant discussion of Vincent's future over the Easter holiday and his parents' supportive attitude no doubt was informed by his roommate's sympathetic portrait of Vincent's unhappiness at the bookstore. In another version of his account, Görlitz is quoted as saying that, after his visit to Etten "[Vincent's] parents then urged [Vincent] to leave his situation" (Görlitz, “Among the People,” in Stein, ed., p. 42). This is even more clearly a distortion. 347. asked his brother-in-lawb2519 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/6/1877. Dorus wrote: "I've asked Uncle Stricker to look for a place where Vincent can be educated in the subjects for this preparatory study." The topic was apparently discussed at Easter, when the whole family reunited in Etten (b2519 V/1982, "Gogh, Theodorus en Anna C. van" to "Gogh, Theo van", 4/6/1877; see Ch. 9, n. 346). 348. "Theo, what do you" BVG 91a, 4/8/1877.

Context:
JLB 110, 4/8/1877: "Theo, what do you think of Vincent surprising us again? He must take care."

349. identifying the best tutor b2528 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", May 1877: Stricker performed this duty promptly. Only a month after this initial request, Dorus reported that "Uncle Stricker has found a suitable teacher so that we are encouraged to proceed and hope for God's blessing" (ibid.). 350. monitor his progress Van Gogh, Anna Cornelia van Houten, p. 7: The family chronicler at this time, Vincent’s sister Anna, recalled the agreement between the uncles that allocated responsibility for Vincent’s stay in Amsterdam: "Uncle Jan [would] let him live with him at the [naval] yard; the other uncles [would] contribute for the classes and Uncle Stricker [would] keep an eye on the studies." 351. highly respected Kok, n.p. Stricker's reputation among liberal theologians was based in part on his 1868 publication Jesus from Nazareth, Drawn According to History, a less incendiary cross between Das Leben Jesu and Imitatio Christi. 352. conservative views Kok, n.p. 353. failed his own ordination exam Kok, n.p.: Stricker failed "because of his views on the person of Jesus," according to Kok: views that eventually found their full expression in Jesus of Nazareth. He was ultimately admitted to the preaching service through the intervention of influential mentors. 155 354. "Our good Lord" b2543 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", July 1877. 355. offered Vincent a room BVG 93, 4/22/1877.

Context:
JLB 112, 4/22/1877-4/23/1877: "Uncle Jan was in Etten and said that my room was already ready."

356. "If Vincent wants" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. 357. refused to assumeb2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877: Anna reported candidly to Theo: "This morning we got a friendly letter from Uncle Jan, saying that Vincent's room is ready, so he can come whenever he wants to. Uncle doesn't want to get more involved than that ..." 358. "a decent job"b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. It is not known what the job was; Vincent never mentioned it. Anna called it “a decent job” that would bring Vincent into contact with "higher society.” (ibid.) As far as is known, Vincent never followed through on his uncle’s offer. 359. defray his expensesb0959 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 5/7/1877. A passage in the family letters suggests that Uncle Jan took money for Vincent's board. In a letter to Theo, Dorus laid out a lengthy procedure for collecting money in The Hague and transferring it to Uncle Jan: "Now here is the bill for the amount of F 137.50, would you please collect that? If possible before Vincent's arrival? And then give the amount to Vincent to give to Uncle Jan. Please wrap it up well, and remind him well." 360. "At least that's" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. 361. offered moneyVan Gogh, Anna Cornelia van Houten, n.p. Anna, the family chronicler at this time, wrote this entry for 1877: "The other uncles [other than Jan] contribute for [Vincent's] classes." Since we know Uncle Cent did not participate in this plan (see text), the only other likely contributor would have been Uncle Cor. Hein was quite sick at the time ("the situation is getting more and more sad [for him], Dorus wrote; “what an ordeal!" [b2522 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 4/29/1877]), and Willem was not in active communication with Dorus, nor did he have the resources to make such a pledge. Also, Uncle Cor had helped pay for Theo's schooling in Oisterwijk. 362. bundle of good paper BVG 95, 5/19/1877.

Context:
JLB 114, 5/19/1877: "Yesterday Uncle Cor sent me a batch of old paper, such as the sheet on which I'm writing to you. Isn't it wonderful for doing my work on?"

363. sent both b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877: "Uncle wrote us that he had written to [Vincent], but that he didn't agree with his plans." Anna went on to summarize Cent's position, indicating that the letter from Cent restated in some detail the uncompromising position set out in his letter to Vincent. 364. "did not agree with" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. 365. "Uncle doesn't agree" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877; emphasis added for clarity. 366. fecklessWe know from a letter that Uncle Cent wrote to Theo the next year that "dependability" was crucially important to him (b5342 V/1994, ''Gogh, Vincent van'' to ''Gogh, Theo van'', 10/7/1878). We can guess that Vincent's willingness to abandon the position that Uncle Cent had secured for him in Dordrecht after only a few months (and, undoubtedly, after pledges of gratitude and renewed dedication) was a serious breach of Vincent's duty to his family: another in a long line of same. In retrospect, Cent's assessment of Vincent's plans for university was dead-on accurate, as even Bonger acknowledged (Van Gogh-Bonger, in Van Gogh, Vincent, p. xxvii). 367. "He did not think" BVG 90, 3/15/1877-3/31/1877.

Context:
JLB 111, 4/15/1877: "… he thought it unnecessary to continue the correspondence, that he cannot help me in this matter."

368. "Uncle can't see"b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877: Anna wrote, disputing Theo’s defense of his brother: "You say that Uncle can't see that Vincent really means well, but that's not the heart of the matter." 369. "[Uncle] knows very" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. 370. "Neither we nor you" b2521 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/18/1877. 371. "How wonderful it" b2550 V/1982, "Gogh, Elisabeth van" to "Gogh, Theo van", 8/12/1877. Vincent's sister Anna had a much more pragmatic view of Vincent's new ambition: "It would be such a break for Pa and Ma" (b2530 V/1982, "Gogh, Anna van" to "Gogh, Theo van", 5/13/1877). 372. in God's handsb2524 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", 4/30/1877. As she did in all family upheavals, Anna found comfort in the “encouraging thought that God -- who has already given us so many good things -- will remain by our side." 373. "We would be so happy"b2528 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", May 1877. 374. "Man is born" b2528 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", May 1877. 375. a new suit b0959 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 5/7/1877: Forever fixed on outerwear, underwear, and good stitching, Dorus bragged about the results of their makeover of Vincent: "We have fixed up his appearance a bit," his father bragged, "through the help of the best tailor in Breda." 376. copying out page after page BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "I've managed, in between times, to work my way through the whole story of Christ from a catechism book written by Uncle Stricker, and I copied out the texts."

377. keep his own doubts at bayBVG 93, 4/22/1877. One of Vincent's strategies of denial was to see mirages of confirmation everywhere. When his long-lost writing desk filled with letters was discovered in the Roos house in The Hague (where he had boarded), he claimed it was "new proof" that "my efforts will be blessed, that things will go well for me, and the thing I desire so fervently will be granted me" (JLB 112, 4/22/1877-4/23/1877). The discovery of the old desk "gave me a feeling of joy," he wrote, "such as the woman must have had who found the piece of silver she had lost, namely, you wrote that Aunt Koos's little reading-desk containing Pa and Ma's letters was found at the Rooses' when the house was being cleaned. What fear and worry I felt last year, looking for it and imagining that I'd taken it to England and that it got left behind at one of the houses I stayed at in London. It's wonderful that it has turned up, I'm so grateful ... I now remember very clearly having left it behind at the Rooses' when I left for England, because there wasn't much room in my trunk and also because I thought it would be safer there than travelling with me in foreign parts." (ibid.)

The fact that Vincent kept virtually none of his parents' letters (nor the writing desk) suggests that his joy at this discovery was more about Vincent's desperate search for confirmation than reclaiming a desk of letters. Another example comes from a letter about a month after Vincent arrived in Amsterdam. "I have good hope that I shall succeed, it was once said to me by someone who was further on in life than I, and who was no stranger in Jerusalem -- I mean someone who had sought it himself and had also found it; it was once said to me: I believe that you are a Christian, you see, it was so good for me to hear those words." (JLB 118, 5/31/1877, emphasis in original.) This is indeed a thin reed on which to hang a decision as momentous as the one Vincent made. Vincent's "reasoning" appears to be that because this unnamed person in his past told him, "I believe that you are a Christian," therefore his ambition to be a preacher will be fulfilled. No even desperation sould sustain such an unsupported conviction for long.
378. deep skepticism BVG 326, 9/21/1883: Vincent's belated confession should probably be discounted somewhat for hindsight (especially the implied blame-shifting). The text makes the point that, at this time, Vincent had no choice but to go forward with the plan for study. This passage is evidence that he probably knew (or feared), given his unsuccessful previous experiences with academic settings, that the plan on which so much depended was unlikely to succeed.

Context:
JLB 388, 9/21/1883: "When I was very dubious about the plan to study, whether the promise to bring that about was straightforward and well-considered -- I thought then that they made the plan too hastily and I went along with it too hastily."

156 379. "Lord, I long" BVG 93, 4/22/1877.

Context:
JLB 112, 4/22/1877-4/23/1877: "Lord, I should so much like to be earnest."

380. reassuring texts BVG 93, 4/22/1877. On the print of a monk, Vincent wrote, "Take my yoke upon you, and learn of Me; for I am meek and lowly in heart: and ye shall find rest unto your souls. For my yoke is easy, and my burden is light. Whosoever will come after Me, let him deny himself, and take up his cross, and follow Me." (Matthew 11:29-30 and Mark 8:34 [or Matthew 16:24, or John 9:23].) Under "The Imitation of Jesus Christ" (after Ruyperez), Vincent wrote, "what we used to hear Pa say: 'Lord, I should so much like to be earnest.'" 381. sermon-going BVG 94, 4/30/1877. It is curious that one of the last sermons Vincent heard in Dordrecht, given by Keller van Hoorn, with whom he appears to have established some kind of relationship, was on the text "Our Father" (JLB 113, 4/30/1877).

Context:
JLB 113, 4/30/1877: "[I]n the morning I heard the Rev. Hooyer's farewell sermon in the little French church. ... In the afternoon I went to the Grote Kerk to hear the Rev. Keller van Hoorn, whose text was 'Our Father'; in the evening I heard the Rev. Greeff."

382. one last tripOnly days before leaving Dordrecht, Vincent went with Görlitz, Mager, and Ten Broek [Christiaan van de(n)] to see the paitings by Scheffer at the museum – “they're really beautiful," he reported (JLB 112, 4/22/1877-4/23/1877). 383. paintings of his own creation BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "I walked along that path behind the station where we walked together, thinking of you and wishing we could be together -- and kept on walking until I came to the cemetery at the end of a black cinder road running through the meadows that looked so beautiful in the twilight."

384. scripture BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "Now we look through a mirror into a dark reason, now I only know in part, but then shall I know even as also I am known myself" (Corinthians 13:12).

385. aphorisms BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "There can still be much good in store for both of us, let us learn to say after Pa 'I never despair' and after Uncle Jan 'the devil is never so black that one cannot look him in the face.'"

386. "I am striving for" BVG 98, 5/30/1877.

Context:
JLB 117, 5/30/1877: "God willing, [I] shall find grace in the eyes of some whom I love."

387. 2-MayBVG 94, 4/30/1877. Vincent arrived in Etten on May 2 (arrival date confirmed by Dorus in b2522 V/1982, "Gogh, Theodorus van" to "Gogh, Theo van", 4/29/1877 and by Willemina in b2525 V/1982, "Gogh, Willemina van" to "Gogh, Theo van", 4/30/1877). Vincent left on May 9 (b0977 V/1962, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 5/10/1878).

Context:
JLB 113, 4/30/1877: "Write again soon, this Wednesday, then, I'll be in Etten."

388. Lingered in Etten for a weekb0977 V/1962, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 5/10/1878. Vincent's original departure date, apparently, was Monday, May 7 (b0959 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 5/7/1877). The date must have been moved forward at the last minute and Vincent did not leave until May 9. Because of subsequent events, the date was burned in his father's memory. A year later, Dorus wrote Theo: "Yesterday [May 9] it was a year ago that Vincent came to Amsterdam" (b0977 V/1962, ''Gogh, Theodorus van'' to ''Gogh, Theo van'', 5/10/1878). However, Dorus may have been referring to Vincent's departure from Etten rather than his arrival in Amsterdam. On the way, he stopped for an unknown period to see Theo in The Hague. Family letters suggest that he was fairly busy during his stay, and the two brothers definitely went to Scheveningen together (JLB 114, 5/19/1877). Vincent may have stayed until Sunday, May 13, and Theo may have accompanied him on the train trip to Amsterdam that day ("Will you come again on a Sunday to my study"), or Vincent may have left before that and Theo made a separate visit on that Sunday. We believe Vincent probably spent the entire period, May 9-13, with Theo in The Hague discussing the major life changes that Theo was considering at the time (see Chapter 11). 389. reverie of family b0959 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 5/7/1877: Dorus wrote: "Today, Ma, Vincent, and I took a nice walk ... Delightful, and so nice and peaceful!" 390. he stopped BVG 94, 4/30/1877.

Context:
JLB 113, 4/30/1877: "I hope to see you soon, because when I go to Amsterdam I'm planning to stop in The Hague for a while."

391. "Do a deed" b0959 V/1962, "Gogh, Theodorus van" to "Gogh, Theo van", 5/7/1877. 392. "put my hand to the plow" BVG 94, 4/30/1877.

Context:
BVG 94, 4/30/1877: "Next Wednesday morning I am leaving for Etten where I intend to spend several days; then, I put my hand to the plough."
JLB 113, 4/30/1877: "I'm going to Etten this Wednesday, to stay there for a few days before putting my hand to the plough."

393. Images of sowing BVG 93, 4/22/1877. Even before Dorus's departing sermon, Vincent wrote Theo: "For a 'sower of the word' as I hope to become, sufficient unto the day is the evil thereof, just like for a sower of corn in the field -- and the earth shall bring forth all manner of thorns and thistles" (JLB 112, 4/22/1877-4/23/1877). 394. "sower of the Word" BVG 93, 4/22/1877: Vincent is no doubt referencing Mark 4:14: "The sower soweth the word."

Context:
BVG 93, 4/22/1877: "To each day brings sorrow for 'the sower of the Word' that I hope to become, as one that sows wheat in the fields -- and the earth will produce nevertheless a pile of brambles and thistles."
JLB 112, 4/22/1877-4/23/1877: "For a 'sower of the word' as I hope to become, sufficient unto the day is the evil thereof, just like for a sower of corn in the field -- and the earth shall bring forth all manner of thorns and thistles."

395. "as one that sows" BVG 93, 4/22/1877.

Context:
BVG 93, 4/22/1877: "To each day brings sorrow for 'the sower of the Word' that I hope to become, as one that sows wheat in the fields ..."
JLB 112, 4/22/1877-4/23/1877: "For a 'sower of the word' as I hope to become, sufficient unto the day is the evil thereof, just like for a sower of corn in the field ..."

396. "For whatsoever" Galatians 6: 7-8. 397. "God's work" b2528 V/1982, "Gogh-Carbentus, Anna C. van" to "Gogh, Theo van", May 1877: The sermon was given on Sunday, May 6. The quotes in the text are taken from Anna's surprisingly detailed summary of the sermon in her letter to Theo. There are very few places in all the letters where a sermon is evoked in such detail, suggesting that both the subject and the occasion had special significance for both Vincent and his parents. Anna noted that Vincent "enjoyed Dad's sermon very much, [which] is not surprising because it was such a good sermon." 398. "She tried to have" Eliot, p. 237: This is from the one of the three stories that make up Scenes of a Clerical Life that Vincent claimed was his favorite, "Janet's Repentance."